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Past Exhibitions

Taking Shape: Abstraction from the Arab World, 1950s–1980s​

On view September 30, 2021 through January 16, 2022

Etel Adnan (Lebanon). Oil on canvas. Collection of the Barjeel Art Foundation, Sharjah, UAE
Etel Adnan (Lebanon). Autumn in Yosemite Valley, 1963–1964.Oil on canvas, 20 1/8 x 20 1/8 in. Collection of the Barjeel Art Foundation, Sharjah, UAE

Taking Shape: Abstraction from the Arab World, 1950s–1980s explores mid-20th-century abstract art from North Africa, West Asia, and the Arab diaspora—a vast geographic expanse that encompasses diverse cultural, ethnic, linguistic, and religious backgrounds. Comprising nearly 80 works by artists from countries including Algeria, Egypt, Iraq, Jordan, Kuwait, Lebanon, Morocco, Palestine, Qatar, Sudan, Syria, Tunisia, and the United Arab Emirates (UAE), the exhibition is drawn from the collection of the Barjeel Art Foundation based in Sharjah, UAE. Inspired by Arabia calligraphy, geometry and mathematics, Islamic decorative patterns, and spiritual practices, they expanded abstraction’s vocabulary—thus complicating its genealogies or origin and altering how we view non-objective art. The paintings, sculpture, drawings, and prints on view reflect the wide range of nonfigurative art practices that flourished in the Arab world over the course of four decades. At the Tampa Museum of Art, Taking Shape: Abstraction from the Arab World, 1950s–1980s is possible thanks to a community sponsorship by Morgan Stanley. The exhibition is also supported in part by Colonial Distributing and George & Debbie Baxter in honor of Dr. Mudhafar Amin and Zahar Hadid.​