Categories
News

TMA Board Member Ron Christaldi Selected as Chair of Leadership Florida Board of Directors

TAMPA, FL — We are thrilled to share that Tampa Museum of Art Board Member, Ron Christaldi, has been selected as the Chair of the Leadership Florida Board of Directors for the 2024-2025 term. A distinguished business lawyer and community leader, Ron’s new role with Leadership Florida is a testament to his deep commitment to fostering leadership and progress across the state.

As Vice-Chair of the Tampa Museum of Art’s Governing Board of Trustees, Ron’s dedication to leadership extends into the arts, enriching our community’s cultural and developmental initiatives. His extensive experience and strategic insight will greatly benefit Leadership Florida’s mission to cultivate leadership throughout the state, which aligns with our goals at the museum of driving community engagement and growth.

We are excited about the possibilities this appointment holds for strengthening leadership within Florida. The museum family looks forward to supporting Ron in his new role and continuing our collaborative efforts to make a positive impact.

For more details, visit Shumaker.com to read the full press release.

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Past Exhibitions

Suchitra Mattai: Bodies and Souls

On view June 21, 2024, through April 20, 2025

Suchitra Mattai (Guyanese, b. 1973), "Womb", 2023. Vintage saris, fabric, 3-d printed celestial figure sculptures. 90 x 74 inches. Courtesy of the artist and Roberts Projects, Los Angeles. Photographer: Heather Rasmussen
Suchitra Mattai (Guyanese, b. 1973), Womb, 2023. Vintage saris, fabric, 3-d printed celestial figure sculptures. 90 x 74 inches. Courtesy of the artist and Roberts Projects, Los Angeles. Photographer: Heather Rasmussen

Suchitra Mattai: Bodies and Souls represents Suchitra Mattai’s (Guyanese, b. 1973) first solo Museum exhibition on the East Coast and in Florida. Compromised largely of new works, the show focuses on three themes central to Mattai’s practice: migration, motherland, and materiality. Within these themes, Mattai explores her own family’s history and identity, as well as the narratives of Guyana’s Indo-Caribbean community. Mattai’s work references historical moments, such as the migration of indentured laborers from India to the shores of Guyana, and also examines the physical and emotional relationship to home and motherland. Mattai creates artworks that flip traditional mythologies by placing South Asian women and Brown bodies as the central figures in her vibrant compositions. These unique histories – from surveying Guyana’s colonial past to shared Indian traditions against the lush backdrop of the Caribbean, and the familial bonds between matriarchs, mothers, and daughters – anchor Mattai’s art. She uses materials familiar to her – such as vintage saris, bindis and beading, and Hindu relics- to reclaim history and give prominence to voices silenced or ignored throughout time.

Born in Georgetown, Guyana, Mattai has lived across continents yet retains close ties to the South Asian communities in the Caribbean and the US. The artist earned her MFA in painting and drawing as well as an MA in South Asian art from the University of Pennsylvania in Philadelphia. Over the last five years, her work has shifted from painting to sculptural textile installations. In addition to Suchitra Mattai: Bodies and Souls at the Tampa Museum of Art, in 2024, Mattai’s art is the focus of solo exhibitions at the ICA San Francisco; Socrates Sculpture Park in Queens, New York; and the National Museum of Women in the Arts in Washington, DC. She has been featured in group shows at the MCA Chicago, Crystal Bridges Museum of Art, the MCA Denver, and the Art Gallery of Ontario. Mattai lives and works in Los Angeles, California.

Collection Sponsor:
Anonymous Foundation

Exhibition Sponsors:
Muriel Brathwaite
Leisa Maddoux and Michael Singer
Roberts Projects

Contributor Sponsors:
Deborah C. Brittain
Susan Hancock
Tom & Jane Lacy
Friends of Suchitra

Supported in part by:

Categories
Current Exhibitions

Esterio Segura: Hybrid of a Chrysler

On view now

Esterio Segura highlights the complexity of everyday life in Cuba in artworks exploring the socio-political, cultural, and spiritual landscape of the island nation. Different manifestations of winged animals and machines, airplanes, and submarines appear in his art and represent themes of freedom, isolation, immigration, desire, and exile. Hybrid of a Chrysler, features Segura’s signature use of wings attached to the roof of a 1953 Chrysler Windsor. The car, like the classic autos used daily in Cuba, appears ready for flight. Hybrid of a Chrysler premiered at the Tampa Museum of Art in 2016 and has traveled across the globe to Venice, Italy and Washington DC, to Gainesville, Florida, and has now returned to Tampa
Esterio Segura (Cuban, b. 1970)
Hybrid of a Chrysler, 2016
Vintage automobile and mixed media installation
Collection of Susie and Mitchell Rice

Esterio Segura highlights the complexity of everyday life in Cuba in artworks exploring the socio-political, cultural, and spiritual landscape of the island nation. Different manifestations of winged animals and machines, airplanes, and submarines appear in his art and represent themes of freedom, isolation, immigration, desire, and exile. Hybrid of a Chrysler, features Segura’s signature use of wings attached to the roof of a 1953 Chrysler Windsor. The car, like the classic autos used daily in Cuba, appears ready for flight. Hybrid of a Chrysler premiered at the Tampa Museum of Art in 2016 and has traveled across the globe to Venice, Italy and Washington DC, to Gainesville, Florida, and has now returned to Tampa.

In a recent interview, Segura shared, “The subject of flight is an idea that I have taken from the image of an airplane, the image of wings, and the consciousness of what travel meant to me. I was 25 when I first traveled outside of Cuba [and in] 2001, I started thinking seriously about making a project on this subject…The awareness of others entered the work—those who emigrate, or yearn to, or experience nostalgia, or miss people who may return or not. Above all, everything is specifically related to flight or travel. Hybrid of a Chrysler emerged from this nexus.”

Born in Santiago, Cuba, Segura attended the prestigious Instituto Superior de Arte (ISA) in Havana. His art, ranging from painting, sculpture, and installation, has been exhibited around the world and his works reside in prominent public and private collections. The Tampa Museum of Art recently acquired Segura’s Good Bye My Love, currently on view in the Patel Family Lobby. Segura’s art will be featured in the upcoming 2025 exhibition Under the Spell of the Palm Tree: The Rice Collection of Cuban Art.

Categories
News

TMA Unveils ‘Suchitra Mattai: Bodies and Souls’ Exhibition

Tampa, FL – The Tampa Museum of Art is thrilled to announce the opening of Suchitra Mattai: Bodies and Souls, the first solo museum exhibition in Florida and the Southeast for the acclaimed artist Suchitra Mattai. This groundbreaking exhibition will be on view from June 22, 2024, through March 16, 2025.

Suchitra Mattai: Bodies and Souls delves into themes of migration, matriarchy, and materiality, spotlighting Mattai’s innovative use of found materials, such as vintage saris. Through wrapping, braiding, stitching, and weaving these fabrics, Mattai creates works that serve as powerful allegories for historical and personal narratives. The exhibition features new installations alongside recent works, reflecting the artist’s ongoing exploration of the past and present.

In 2021, the Tampa Museum of Art received Mattai’s mixed-media painting Alter Ego (2020) as a gift. This captivating work, which features colorful saris and patterned fabric fragments, inspired the Bodies and Souls exhibition, reflecting its depiction of dual female silhouettes, symbolizing the dual identity of migrants as both newcomers and outsiders.

Born in Guyana, Mattai is of Indo-Caribbean descent and holds a BA in Statistics from Rutgers University, an MA in South Asian Art, and an MFA in Painting and Drawing from the University of Pennsylvania. In 2023, she was honored with an Anonymous Was a Woman Award and a Smithsonian Artist Research Fellowship. Her work is part of numerous prestigious collections, including the Nasher Museum of Art, Joslyn Art Museum, Denver Art Museum, Crystal Bridges Museum of American Art, and the Portland Museum of Art.

Beyond the Tampa Museum of Art, Mattai’s work will be featured in solo exhibitions at ICA San Francisco, Socrates Sculpture Park, Memphis Brooks Museum of Art, and the National Museum of Women in the Arts in 2024. She currently lives and works in Los Angeles, California.

Categories
Centennial Campaign News

Mourning the Loss of a Pillar of our Museum Community

Dear Museum Supporters and Friends,  

It is with profound sadness that we share the news of the passing of A. G. “Jerry” Divers, a steadfast champion of our Tampa Museum of Art. Jerry’s unwavering dedication and visionary leadership have left an indelible mark on this Museum, and his absence will be deeply felt by all who had the privilege of working alongside him.  

As we mourn Jerry’s passing, we also reflect on his legacy and the profound impact he has made on our Museum community.  Jerry’s involvement with the Tampa Museum of Art over a 40-year stretch has been characterized by a remarkable dedication to growth and his ability to unite visionaries from our community to shape Tampa Bay’s cultural future.   

Jerry exemplified excellence in every role he undertook, serving as Tampa Museum of Art Board Chair from 1990–1992 and Campaign Committee Chair from 2003–2006; then again for the Centennial Campaign from 2018–2024. Until his passing, Jerry held prominent positions as Tampa Museum of Art Foundation Board President and a member of the Board of Trustees and its Executive Committee, as well as a seat on the Foundation’s Legacy and Investment Committees. His leadership has been pivotal in guiding the Tampa Museum of Art Centennial Campaign Cabinet, overseeing the transformative project resulting in our newly renovated campus and our upcoming 51,000 square foot, $100+ million expansion, for which he was one of our greatest champions. We are so thankful we were able to honor him at our most recent Pavilion gala. 

Jerry played a vital role in the Tampa Museum of Art’s development for more than four decades, and it is difficult to imagine our Museum’s life without him. His vision and advocacy for the Museum will be remembered forever. 

We extend our gratitude to the Divers family for sharing Jerry with us all these years, and we express our sincerest condolences to them.  

With heartfelt thanks and respect for a true luminary in our Tampa Museum of Art family,   

Michael A. Tomor  

Penny and Jeff Vinik Executive Director, Tampa Museum of Art  

Categories
News

New Galleries at Tampa Museum of Art Showcase Largest Display of Antiquities Collection to Date

A new exhibit, which opened on April 18, features 85 artworks from the Tampa Museum of Art’s permanent antiquities collection, adding to the over 500 objects already on view. Thanks to additional gallery spaces added during the Museum’s Centennial Renovation 2023, this is the largest proportion of the Museum’s permanent collection of ancient Greek and Roman antiquities ever on display at one time.

Joseph Veach Noble: Through the Eye of a Collector displays artworks the Tampa Museum of Art acquired from the eminent collection of Joseph Veach Noble for the first time since 1986. Mr. Noble was an administrator at the Metropolitan Museum and later director of the Museum of the City of New York, who amassed perhaps the largest private collection of ancient Greek and Italian ceramic vases.

“The breadth of themes, styles, forms, and techniques within the Noble collection of Greek and Italian vases is of international renown. Upon completing our Centennial Renovation project last year, we knew we had to seize the first opportunity to spotlight this collection more fully,” said Michael Tomor, Ph.D., the Penny and Jeff Vinik Executive Director of the Tampa Museum of Art. “For the first time, our expanded galleries allow us to collectively illuminate important aspects of the Noble collection, including ancient Athenian myth and religion, warfare and athletics, wine culture and cosmetics, daily life and entertainment.”

The Tampa Museum of Art’s 1986 acquisition from Noble’s collection became the cornerstone of its burgeoning permanent collection of antiquities that has since grown to about  875 objects (and counting). The Centennial Renovation provided for enhanced gallery spaces, allowing the museum to feature exhibitions such as the Noble collection. The renovation project also expanded the gallery space for multimedia projections and more kinetic exhibitions. In addition, the renovations added state-of-the-art storage for enhanced maintenance operations. The Centennial Renovation project also included the following transformations:

  • The education department expanded from 1,400 square feet to the 8,000-square-foot Vinik Family Education Center, with its own entrances and exits so programs can take place outside regular exhibition gallery hours. The Vinik Family Education Center also features new, expanded student exhibition spaces.
  • Areas previously occupied by administrative and curatorial storage functions were renovated to include lecture rooms, classrooms, and artist workspaces.
  • A new Docent Lounge allows volunteers and staff to meet in a designated area to plan programs and receive instruction about exhibitions and the permanent collection from staff. 

Fundraising continues for the next phase of the Centennial Campaign, a 51,000 sq. ft. expansion of the museum’s footprint, creating an interconnected series of multi-functional spaces that will more than triple the current 7,200 sq. ft. of event space. A new 150-seat, raked-floor auditorium, an art lounge, a large event space with digital exhibition opportunities, and a rooftop sculpture terrace will provide flexible settings for a wide range of art and cultural programming. An additional 72,000 sq. ft. surrounding site redevelopment that includes outdoor dining and sculpture areas will bring life and art to the redeveloped public spaces along Curtis Hixon Park and the Tampa Riverwalk. This phase of the comprehensive and expansive master plan will create a more vibrant space for art and our community. Support of this project will connect the community, inspire individuals, and contribute to the economic health of the Tampa Bay region.

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Categories
Current Exhibitions

Joseph Veach Noble Through the Eye of a Collector 

On view now

"Mycenaean Cup" on Stem This wine cup on a high stem from Athens dates to the Late Helladic period, when the Mycenaean civilization reached its height Ceramic vessel (kylix); Attica, Greece; Mycenaean period, ca. 1400-1375 bce. TAMPA MUSEUM OF ART, JOSEPH VEACH NOBLE COLLECTION, 1986.019
Mycenaean Cup on Stem
This wine cup on a high stem from Athens dates to the Late Helladic period, when the Mycenaean civilization reached its height

Ceramic vessel (kylix); Attica, Greece; Mycenaean period, ca. 1400-1375 BCE. TAMPA MUSEUM OF ART, JOSEPH VEACH NOBLE COLLECTION, 1986.019
"Neptune with Dolphin" The Roman lord of horses, and god of rivers, springs and seas, has a dolphin to his right leg. He may once have held a trident. Marble sculpture; Rome, Italy; Roman Imperial period, ca. 50-100 ce. TAMPA MUSEUM OF ART, JOSEPH VEACH NOBLE COLLECTION, 1986.135
Neptune with Dolphin
The Roman lord of horses, and god of rivers, springs and seas, has a dolphin to his right leg. He may once have held a trident.

Marble sculpture; Rome, Italy; Roman Imperial period, ca. 50-100 CE. TAMPA MUSEUM OF ART, JOSEPH VEACH NOBLE COLLECTION, 1986.135

Born in Philadelphia, Joseph Veach Noble was not only a museum administrator and director, but also an avid collector and connoisseur of Greek and Roman antiquities, with a particular interest in ancient Greek ceramic vases. While he began his career in cinema, Noble was appointed Operating Administrator at New York’s Metropolitan Museum of Art in 1956. He held that position until 1967, when he became The Met’s Vice-Director of Administration. In 1970, Noble founded the Museum of the City of New York where he served as Director until his retirement in 1985. At the age of 87, he died in West Orange, New Jersey.

At the time of the acquisition in 1986, the Noble Collection was thought to comprise the largest private collection of Athenian vases in North America. Focusing on Mr. Noble as a connoisseur, this exhibition explores what motivated Noble’s interests and fascinations with the different materials and mediums, styles and techniques of ancient art. Joseph Veach Noble: Through the Eye of a Collector is one of several new exhibitions dedicated to the Museum’s permanent collection that will be on view for long-term displays over the coming years.

"Venus Holding Apple" 

The Roman goddess of love and sexuality holds an apple in her left hand, a token which designated her the winner in the Judgment of Paris. 

 

Bronze figurine; Rome, Italy [?]; Republican-Imperial period, ca. 1st cent. bce-1st cent. ce. TAMPA MUSEUM OF ART, JOSEPH VEACH NOBLE COLLECTION, PURCHASED IN PART WITH FUNDS DONATED BY VINCENT BEKIEMPIS, 1986.139
Venus Holding Apple
The Roman goddess of love and sexuality holds an apple in her left hand, a token which designated her the winner in the Judgment of Paris.

Bronze figurine; Rome, Italy [?]; Republican-Imperial period, ca. 1st cent. BCE-1st cent. CE. TAMPA MUSEUM OF ART, JOSEPH VEACH NOBLE COLLECTION, PURCHASED IN PART WITH FUNDS DONATED BY VINCENT BEKIEMPIS, 1986.139
"Pseudo-Panathenaic Amphora" This double-handled vase was Noble’s most prized possession. It depicts Athena Promachus, fully dressed as champion of battle, in Archaic black-figure style. Ceramic vessel (amphora); Attica, Greece; Archaic period, ca. 540 bce. TAMPA MUSEUM OF ART, JOSEPH VEACH NOBLE COLLECTION, 1986.024
Pseudo-Panathenaic Amphora
This double-handled vase was Noble’s most prized possession. It depicts Athena Promachus, fully dressed as champion of battle, in Archaic black-figure style.

Ceramic vessel (amphora); Attica, Greece; Archaic period, ca. 540 BCE. TAMPA MUSEUM OF ART, JOSEPH VEACH NOBLE COLLECTION, 1986.024

Categories
News

‘Skyway 2024: A Contemporary Collaboration’ Unites Five Bay Area Museums in an Innovative Art Exhibition

The highly anticipated Skyway 2024: A Contemporary Collaboration exhibition is set to be showcased at five leading art institutions across the Tampa Bay area this year. The museums participating in this triennial exhibition—the Museum of Fine Arts, St. Petersburg; The John and Mable Ringling Museum of Art; Sarasota Art Museum of Ringling College of Art and Design; the Tampa Museum of Art; and the University of South Florida Contemporary Art Museum—are proud to announce their joint effort in presenting this groundbreaking showcase.

Skyway 2024 embodies the theme of boundless exploration and unity, reflecting the limitless potential of artistic expression in the region. This collaborative effort will feature a diverse array of contemporary art, including paintings, sculptures, installations, and multimedia presentations by 63 artists and art collectives living and working in the Tampa Bay area.

Exhibition Dates and Artists

Each museum will host a distinct grouping of Tampa Bay area artists and art collectives in Skyway 2024, providing visitors with a unique opportunity to embark on a comprehensive journey through the vibrant contemporary art landscape of the Tampa Bay region.

On view at The Ringling from May 25 through January 26, 2025: Caitlin Albritton, Ainaz Alipour, Mohsen Azar, Saumitra Chandratreya, Elisabeth Condon, Robyn “Avalon” Crosa, Rachel de Cuba, Jake Fernandez, Akiko Kotani, Carol Mickett and Robert Stackhouse, Libbi Ponce, Michael Vasquez, and Joo Woo.

On view at the MFA St. Petersburg from July 13 through November 3, 2024: Will Douglas, Kendra Frorup, Emily Martinez, Cynthia Mason, Carola Miles, Anat Pollack, and Emiliano Settecasi.

On view at the USF Contemporary Art Museum from July 19 through November 23, 2024: Elisabeth Condon, Keith Crowley, John Gurbacs, Karen Tucker Kuykendall, Caui Lofgren, Bruce Marsh, Eric Ondina, Sebastian Ore Blas, Andres Ramirez, Bradford Robotham, Erin Titus, and Susanna Wallin.

On view at Sarasota Art Museum from July 28 through October 27, 2024: Kim Anderson, Ryan Day, Sue Havens, Dominique Labauvie, Tatiana Mesa Paján, Samantha Modder, Roger Clay Palmer, Herion Park, Gabriel Ramos, Eszter Sziksz, Jill Taffet, Rob Tarbell, Kirk Ke Wang, Willow Wells, and Corinne Zepeda.

On view at the Tampa Museum of Art from August 28 through January 5, 2025: Marc Brechwald, Samo Davis, Aesopbookofrot (Danielle Dragani), Joe Fig, Adrian Gomez, JD Hardy, Sami Harthoorn, Cort Hartle, Latonya Hicks, Dallas Jackson, Aimee Jones, Candace Knapp, David Mack, David McCauley, Marina Shalthout, David Sibbitt, Yajaira Urzua-Reyes, and Corinne Zepeda.

Collaborative Curation and Community Engagement

The selection of artworks for Skyway 2024 was a collaborative endeavor, with curatorial teams from each museum working together to showcase the region’s dynamic and varied artistic talents. Museum curators reviewed over 300 submissions in response to an open call to artists from Hillsborough, Manatee, Pasco, Pinellas, and Sarasota counties. This initiative highlights local artists’ creativity and strengthens the community’s connection to contemporary art. The curators working together for this third iteration of Skyway include the following:

  • Evan Garza, Guest Juror for Skyway 2024 and Independent Curator
  • Christopher Jones, the Stanton B. and Nancy W. Kaplan Curator of Photography and Media Art, The John and Mable Ringling Museum of Art
  • Katherine Pill, Senior Curator of Contemporary Art, Museum of Fine Arts, St. Petersburg
  • Joanna Robotham, Curator of Modern and Contemporary Art, Tampa Museum of Art
  • Christian Viveros-Fauné, Curator-at-Large, USF Contemporary Art Museum
  • Ola Wlusek, the Keith D. Monda Curator of Modern and Contemporary Art, The John and Mable Ringling Museum of Art
  • Rangsook Yoon, Ph.D., Senior Curator, Sarasota Art Museum of Ringling College of Art and Design

Anticipated Impact and Legacy

Skyway 2024: A Contemporary Collaboration is more than an exhibition; it is a celebration of artistic innovation and a testament to the collaborative spirit of the Tampa Bay art community. This project promises to leave a lasting impact on the region by shining a spotlight on the artistic voices of the central gulf-coast Florida region, inspiring future generations of artists and art enthusiasts alike.

A full-color catalog will accompany the exhibition. It will include curatorial essays and information about each artist and their work.

This exhibition is supported by the Gobioff Foundation and the Stanton Storer Embrace the Arts Foundation.

For more information, visit the official Skyway 2024 website at skywaytampabay.com

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Teens

Youth Council Information Session 

Illustration by 2021-2022 Youth Council President, Johanna Kunz.

The Tampa Museum of Art hosts an Information Session annually to introduce Tampa Bay teens to the Youth Council. We want to create a team dedicated to education, community, and the arts while helping Youth Council members gain work experience and knowledge about museum careers. Help us create a team of high school students to make teen programming for teens, by teens.

The information session is open to all Tampa Bay area teens. TMA will only accept applications from students entering 11th and 12th grade, but all are welcome to learn about the Youth Council!

The information session for 2026 occurred on February 21st. Applications are open until April 17. For any questions, please contact youthcouncil@tampamuseum.org.

For more information, email YouthCouncil@TampaMuseum.org.

The TMA Youth Council works year-round, with an extensive six-week summer session and meetings every other week during the school year to plan programs targeted toward teens in the Tampa Bay area. The Youth Council learns about careers in the museum field and works with TMA personnel to accomplish their events. The first Youth Council was established in 2016 with 12 Hillsborough County high school students.

April 17: Deadline to Apply
Interviews start in May

Contact Us:  YouthCouncil@TampaMuseum.org

Follow us on Instagram @TMAYouth and @TampaMuseumofArt