Paintings from Tampa Bay Collections
On view May 15, 2025 – February 1, 2026

In the 1880s, Impressionism made its way to America from Europe and became a national style of painting in the United States that remains widely beloved to this day. With roots in France, Impressionism launched in 1874 with an avant-garde exhibition by Parisian painters—Claude Monet, Pierre-Auguste Renoir, Edgar Degas and others—who challenged traditional painting styles of the time. Although Impressionism in France experienced a period of popularity for only a decade, it captivated young American artists abroad who were inspired by the painters’ ability to capture light and color through observation and plein air painting.
In the 19th-century, Paris was the center of the art world and artists flocked to the city to study art in its esteemed academies and famous museums. The École des Beaux-Arts, the oldest and most admired art academy in France, was highly selective of its students. Many Americans studied at Académie Julian where the language requirement was less strict and more significantly, open to accepting female artists. American painters were initially bewildered by and then beguiled by the Impressionist movement. They adapted to this new direction and in turn inspired other artists, art dealers, and American collectors, including Industrialists Andrew Carnegie, Henry Clay Frick, and Andrew Mellon, to embrace Impressionist art. Artists featured in American Gaze, such as Mary Cassatt, Childe Hassam, William Merritt Chase, and Theodore Robinson, helped introduce this new approach to painting to American audiences.
The modern age was upon America. Like their European counterparts, the American Impressionists were inspired by the philosophy that painting what they knew and what they experienced firsthand was more truthful and thus more meaningful. Rather than capturing the past or historical moments on canvas, the artists were more interested in painting fleeting moments in the untouched landscape and the modernization of cities in the young nation. Artist colonies on the eastern seaboard, such as Shinnecock Hills in Long Island, founded by William Merrit Chase, and Childe Hassam, who taught off the New Hampshire coast, created a stronghold for Impressionism in the United States.
American Impressionism developed its own identity—one deeply intertwined with the country’s social, cultural, and historical shifts. American Gaze: Impressionism, Paintings from Tampa Bay Collections celebrates the contributions of American Impressionists from the late 1800s to the 1930s, a period of great transformation in the United States. The exhibition features six sections with over 60 paintings on view: Impression, French Influencers; Light Shifts; Figures and Flora; Countryside; and American Gaze. Together, the paintings highlight how American Impressionists captured the beauty of their surroundings and reveals a broader story of artistic evolution in the United States.
Exhibition supported by:
Community Sponsor:
Anonymous Foundation
Exhibition Sponsor:

Supporting Sponsor:
Anderson Bucklew Charitable Foundation