Categories
News

TMA Presents ‘Under the Spell of the Palm Tree: The Rice Collection of Cuban Art’

The exhibition showcases over 80 works by more than 50 Cuban artists, exploring the island’s cultural heartbeat and artistic heritage.

Tampa, FL — The Tampa Museum of Art, in collaboration with The Cuban Arts Group, is pleased to announce the opening of Under the Spell of the Palm Tree: The Rice Collection of Cuban Art, on view from February 6 through July 6, 2025. This exhibition highlights the multifaceted narrative of Cuban art, spanning decades of modern and contemporary creativity. Visitors will discover more than 80 paintings, drawings, photographs, prints, mixed media, art books, and sculptures by over 50 artists, illustrating the vibrancy and resilience of the Cuban artistic spirit.

Organized into six themed sections, Under the Spell of the Palm Tree offers an immersive journey through the cultural, historical, and aesthetic dimensions that have shaped Cuban art:

  1. The Language of Forms and the Forms of Language – Early modernist works from the late 1940s demonstrating abstraction’s role in Cuban artistic development.
  2. The Prophet’s Dream – Art that arose from social and political consciousness, reflecting the dynamic identity emerging after the Cuban Revolution.
  3. The Great Journey – Pieces that poignantly convey themes of exile, displacement, and the enduring connection to Cuba.
  4. The Sensory Landscapes of Memory and Desire – Works infused with hedonism, whimsy, and intimate reflections on memory and longing.
  5. The Musings of Narcissus – A focus on self-representation, philosophy, and personal exploration across a range of media.
  6. The Spirit of the Real, the Reality of the Spirit – Artworks steeped in Afro-Cuban spiritual traditions, mythology, and symbolism that blur the lines between the tangible and the ethereal.

Susie and Mitchell Rice began their journey as collectors in 2013, captivated by the island’s vibrant art scene. Over the last decade, the Rice Collection of Cuban Art has grown to encompass more than 70 artists, revealing a compelling intergenerational narrative that transcends borders. Their commitment to sharing Cuban art’s depth and richness with the public is central to this exhibition’s mission.

“We are delighted to bring Under the Spell of the Palm Tree to Tampa,” said Dr. Michael Tomor, the Penny and Jeff Vinik Executive Director of the Tampa Museum of Art. “Through this diverse selection of works, our visitors will be able to explore Cuban culture from various perspectives—historical, social, political, and deeply personal. We are honored to collaborate with The Cuban Arts Group and grateful to Susie and Mitchell Rice for making this remarkable collection accessible to our community.”

The Cuban Arts Group provides major support for the exhibition. Community sponsors include an anonymous foundation and Santander Bank. Generous donors who share the Tampa Museum of Art’s dedication to bringing important cultural narratives to the Tampa Bay region have provided additional support.

A full-color illustrated catalog accompanies the exhibition. It offers in-depth essays by Curators Gabriela Azcuy and David Horta, bringing further insights into the works on view. Throughout the run of Under the Spell of the Palm Tree, TMA will also host a range of educational programs, discussions, and community events, inviting audiences of all ages to discover the richness of Cuban art and engage with its historical and contemporary significance.

For more information about Under the Spell of the Palm Tree: The Rice Collection of Cuban Art and upcoming educational programs, visit tampamuseum.org or call (813) 274-8130.

About The Cuban Arts Group

Dedicated to enriching and strengthening cross-cultural connections through the arts of Cuba, The Cuban Arts Group, a 501(c)3 not-for-profit organization, is a collaborative effort between those passionate about the arts, and history, from the U.S. and Cuba. Founded in 2015, the Cuban Arts Group builds on cultural evolution that has taken place—and continues to grow—both on the island and throughout the U.S. Cuban diaspora. The organization’s mission is to educate Americans about Cuban arts and culture through thoughtfully curated exhibitions and diverse educational arts programs including discussions, lectures, involving Cuban artists, art educators, curators, historians, and writers throughout. Learn more at thecubanartsgroup.org.

###

Categories
Perspectives

Seasonal Magazine Winter – Spring 2025

A look at the art and ideas shaping the Tampa Museum of Art. The Winter – Spring 2025 issue of our seasonal magazine features select stories, thoughtful articles and interviews with artists, curators, and supporters.

Become an Art+ Member to receive our next issue by mail.

Categories
Past Exhibitions

Ancient Athens: Birthplace of Democracy

On view October 25, 2024 through May 18, 2025

Gaetano Pedo (Italian, active c. 1880s), Herm of Pericles, c. 1880s. Albumen print. 10 1/16 × 7 5/16 inches. Tampa Museum of Art, Gift of Mr. and Mrs. William Knight Zewadski, 1989.109.182
Gaetano Pedo (Italian, active c. 1880s), Herm of Pericles, c. 1880s. Albumen print. 10 1/16 × 7 5/16 inches. Tampa Museum of Art, Gift of Mr. and Mrs. William Knight Zewadski, 1989.109.182
Athena Promachos Ceramic vessel (ps-Panathenaic amphora; attr. to near Eucharides Painter); Attica, Greece; late Archaic period, c. 490–480 BCE. On Loan from a Sarasota Private Collection, IL.2024.008.001
Athena Promachos
Ceramic vessel (ps-Panathenaic amphora; attr. to near Eucharides Painter); Attica, Greece; late Archaic period, c. 490–480 ʙᴄᴇ. On Loan from a Sarasota Private Collection, IL.2024.008.001

The U.S. democratic constitution was in large part inspired by the popular government of Classical Athens, as well as the Roman Republic and the French Enlightenment. During the 2024 Presidential Elections, the Tampa Museum of Art will highlight the ancient Greek city-state Athens, as the birthplace of democracy. There, between the 6th and 4th centuries bce, male citizens gained power in a form of government based on the rule of law.

The exhibition is based on the Museum’s extensive collection of 19th century photography, paired with a dozen antiquities from the permanent collection as well as some significant loans. Ancient Athens: Birthplace of Democracy illustrates archaeological site such as the Acropolis, the arts and culture of Classical Athens such as sculpture and ceramic vases, theater and athletics, as well as the gods and goddesses worshipped in the city. The exhibition allows visitors to contemplate the ideals of the society that gave birth to democracy.

From the sixth through the fifth century bce, political reforms broke the power of the nobility (aristokratia) and eventually gave way to popular government (dēmokratia) in ancient Athens. Organized into an independent city-state (polis) that included the countryside of Attica, Athens became the bastion of freedom and democracy, and the beacon of Classical civilization at the height of Greek art and culture. Only one of the hundreds of city-states across the Greek world that witnessed the rise of popular government, Athens may rightfully be considered the birthplace of democracy not only because it is the most famous and best-documented case but also because it was the state with the largest population at the time in which democracy reached its most radical form.

During the Presidential Election in the United States in 2024, the birth of democracy in ancient Athens gains additional historical relevance. The legacy of Classical Athens goes back two and a half thousand years. Its art continues to inspire contemporary artists. Greek myths and legends, tragedies and comedies inspire modern literature, cinema and theater. This exhibition aims to examine what the original ideals of democracy, liberty and justice for all, equality before the law and the pursuit of happiness still mean today.

Fratelli Alinari (Italian, est. 1852), Discobolus, c. 1880. Albumen print. 10 × 7 ½ inches. Tampa Museum of Art, Gift of Mr. William Knight Zewadski, 1999.078
Fratelli Alinari (Italian, est. 1852), Discobolus, c. 1880. Albumen print. 10 × 7 ½ inches. Tampa Museum of Art, Gift of Mr. William Knight Zewadski, 1999.078
Dimitris Constantin (Greek, active c. 1858–1870) (attributed to), Acropolis Excavated (Kritios Boy and the Moschophoros), 1866. Albumen silver print from a glass plate. 10 × 8 inches. On Loan from the Collection of William Knight Zewadski, IL.2024.041
Dimitris Constantin (Greek, active c. 1858–1870) (attributed to), Acropolis Excavated (Kritios Boy and the Moschophoros), 1866. Albumen silver print from a glass plate. 10 × 8 inches. On Loan from the Collection of William Knight Zewadski, IL.2024.041

Ancient Athens: Birthplace of Democracy is sponsored in part by the Florida Division of Cultural Affairs Cultural Endowment Fund, the Frank E. Duckwall Foundation, the Tampa Museum of Art Foundation’s Richard E. Perry Cultural Endowment Fund, the Gus Lemonopoulos Fund of the Tampa Bay Community Foundation, and William Knight Zewadski.

Categories
Past Exhibitions

The Art of Coptic Egypt 

From the Collection of Dr. Robert Steven Bianchi 

On view September 13, 2024, through September 28, 2025 

Venus Statuette
Bone figurine; Egypt; Roman Imperial period, ca. 1st–4th cent. CE
ON LOAN FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI (2009.005)
Venus Statuette
Bone figurine; Egypt; Roman Imperial period, ca. 1st–4th cent. ᴄᴇ
ON LOAN FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI (2009.005)
Vase with Altars and Fish
Ceramic vessel; Egypt; late Antique—Byzantine period, ca. 4th–7th cent. CE
ON LOAN FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI (X.400)
Vase with Altars and Fish
Ceramic vessel; Egypt; late Antique—Byzantine period, ca. 4th–7th cent. ᴄᴇ
ON LOAN FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI (X.400)

The word “Copt” refers to the native population of Egypt, many of whom converted to Christianity in the early centuries of the Roman period. Tradition maintains that the Holy Family sojourned in Egypt and that Saint Mark, the Evangelist, established the first Christian church in Egypt in Alexandria in the first century. The Copts shared a common material culture with their polytheistic neighbors. Imperial edicts established Christianity as the religion of the empire in the late 4th century, which allowed the Coptic community to flourish. 

The Art of Coptic Egypt showcases over fifty artifacts from a local private collection dating from early centuries of the Roman Imperial to the Middle Ages, although special attention is given to objects specifically associated with the Coptic church. Today, there is still a thriving, vibrant Coptic community in Egypt and beyond, including in Tampa. 

The noun “Copt” and the adjective “Coptic” are etymologically derived from الْقِبْط, al-qibt, an abbreviated Arabic transcription of the Greek Αἴγυπτοs, Aigyptos, that in turn is based on the ancient Egyptian phrase Hut-ka-Ptah, the temple of Ptah, which was used to refer to the city of Memphis as a substitute for Egypt as a whole. (Compare our use of the phrase “the White House” as a substitute for the U.S. government.) Initially, the noun “Copt” was applied to non-Arabic speaking non-Muslims living in Egypt. Eventually, it came to identify the native Egyptians who converted to Christianity since the early centuries of the Roman Imperial Period. 

During these early centuries the Copts living in Egypt were part of the Roman Empire. They shared a common material culture with their polytheistic neighbors—those who worship many gods. That culture derived in part from pharaonic Egypt, as well as Greece and Rome. Intimately bound to the first generations of Christianity, Egypt also witness severe persecutions under the Roman Empire. The liturgical calendar of the Coptic Church actually marks its beginning from 284 of the common era—the Anno Martyrum (“Year of the Martyrs”)—the year Emperor Diocletian came to the throne and under whose reign the second wave of persecutions took place. 

The provisions of the Edict of Milan promulgated by Emperor Constantine the Great (313 ᴄᴇ) removed the stigma of being a Christian. The Edict of Thessalonica, issued by Emperor Theodosius I (380 ᴄᴇ), established Christianity as the only recognized religion across the Empire. The Coptic community flourished even after the fall of Alexandria to ‛Amr ibn al-‛As (641 ᴄᴇ), which ushered in the Islamic Period, when many traditions of the Copts were allowed to continue. The objects on display in this exhibition are part of the private collection of renowned Egyptologist and Fine Arts Historian Dr. Robert Steven Bianchi. 

Pilgrim Flask
Depicting St. Menas with two camels
Ceramic vessel (ampula); Abu Mina, Egypt; late Antique—Byzantine period, ca. 4th–7th cent. CE
ON LOAN FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI (X.700)
Pilgrim Flask
Depicting St. Menas with two camels
Ceramic vessel (ampula); Abu Mina, Egypt; late Antique—Byzantine period, ca. 4th–7th cent. ᴄᴇ
ON LOAN FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI (X.700)
Psalm Book 
With Arabic and Coptic Texts
Paper, leather bound book; Egypt; Modern period, ca. 18th–19th cent.
ON LOAN FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI (X.7000)
Psalm Book
With Arabic and Coptic Texts
Paper, leather bound book; Egypt; Modern period, ca. 18th–19th cent.
ON LOAN FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI (X.7000)
Categories
Past Exhibitions

Skyway 2024: A Contemporary Collaboration

On view August 28, 2024, through January 5, 2025

Skyway 2024: A Contemporary Collaboration is a celebration of artistic practices in the Tampa Bay region, as it is a collaboration between five institutions: the Museum of Fine Arts, St. Petersburg; The John and Mable Ringling Museum of Art, Sarasota; the Sarasota Art Museum of Ringling College of Art and Design; the Tampa Museum of Art; and the University of South Florida Contemporary Art Museum, Tampa. Working together, curators from each institution offer context for the diversity of art being made in Hillsborough, Manatee, Pasco, Pinellas, and Sarasota counties.

In the summer of 2021, we mounted the triennial exhibition Skyway: A Contemporary Collaboration across four venues, a full year later than its original June 2020 date. Skyway 20/21 offered a reprieve from the new normal of daily uncertainty and the effects of a global pandemic. During those paused months of the pandemic, it felt like life might not ever return to normal. If it did, what would life look like? Could we return to our old selves? What needed to change, and what did we need to do to thrive again, both as individuals and as a community?

In preparation for Skyway 2024, the six-person curatorial team met with artists over Zoom and in person. During my studio visits, we talked about emerging from the cocoon of artistic isolation and how this impacted their work. Artists shared how they made art during an unprecedented period of uncertainty. Our conversations revealed what making art means today and how COVID-19 forced an alteration of their process. Many artists used this time as a period of reevaluation of practice and self. Thinking about the future included a reflection of the past, with a common goal of pushing towards something new. Conceptually, the year 2020 reset the clock, allowing artists to experiment and explore materials, techniques, and ideas with abandon.

The eighteen artists selected for the Tampa Museum of Art’s Skyway 2024 exhibition are showing their work for the first time in our regional triennial. They represent a range of backgrounds-from MFA students and self-taught artists to creative makers with established careers. Notably, the art in this iteration of Skyway is deeply personal and introspective, with work referencing lived experiences and observations of the changed, chaotic, charged world around us. The works allude to heroes and heroines, friends and family, self and the body, and the fragile line between life and death. Viewed together, the art reveals a creative zeitgeist informed by our post-pandemic world.

YouTube player
Check out exclusive interviews with SKYWAY artists on the Tampa Museum of Art YouTube Channel!

Categories
News

TMA Announces Art & Aces 2024: An Unforgettable Night of Philanthropy and Fun

Tampa, FL — The Tampa Museum of Art is thrilled to announce the return of its signature fundraising event, Art & Aces, on September 13, 2024, from 8 pm to 11 pm at Oxford Exchange. This year’s event promises to be an extraordinary evening of entertainment, gaming, and philanthropy, supporting the Museum’s mission to make art accessible to the entire Tampa Bay community.

Art & Aces, a unique tropical casino night, offers a vibrant experience for young professionals, art enthusiasts, and new friends. With a variety of games such as roulette, craps, blackjack, and slots, guests will enjoy a luxurious affair complete with drinks, heavy hors d’oeuvres, and access to all gaming tables. This one-of-a-kind event will take place at the sophisticated Oxford Exchange, providing a perfect backdrop for an unforgettable evening.

Event Details:

  • Date: Friday, September 13, 2024
  • Time: 8:00 pm – 11:00 pm
  • Venue: Oxford Exchange, 420 W Kennedy Blvd, Tampa, FL 33606
  • Dress Code: Tropical Cocktail
  • Tickets: Purchase tickets at TampaMuseum.org/ArtAces
    • Art+ Members: $185
    • Not-Yet Members: $225

This year’s event is led by an enthusiastic volunteer committee, co-chaired by Amanda Schifino and Omar Butt, two dedicated individuals with a shared passion for art and their community. Amanda, a Tampa native with a tech and marketing strategy background, and Omar, a London-born Executive Director with JP Morgan, bring their diverse experiences and strong commitment to the arts to lead the vision of this exciting fundraiser. They are joined by a talented group of volunteers, including Alexandra Diaz, Allison Blake Martens, Cole McGowan, Eileen Cheeseman, Gabrie Giammarco, Natalie Nammour, and Ryne Gallien, all working together to make Art & Aces an unforgettable evening in support of the Tampa Museum of Art.

Supporting Art Education in Tampa Bay

All proceeds from Art & Aces will directly benefit the Tampa Museum of Art’s innovative educational programs, which are designed to inspire and engage the Tampa Bay community. These programs are a vital part of the Museum’s goal to provide equal access to art education for all. Businesses and individuals are also invited to sponsor Art & Aces. The funds raised through this event are crucial in sustaining these efforts, underscoring the urgency and significance of your support. For more information on sponsorship opportunities, please contact the Museum’s development team at development@tampamuseum.org.

###

Categories
Past Exhibitions

Jennifer Steinkamp: Madame Curie

On view August 8, 2024, through August 10, 2025

Digital image of colorful flowers.
Jennifer Steinkamp (American, b. 1958), Madame Curie, 2011-2023. Eight-channel, synchronized projection. Dimensions variable. Courtesy the artist and Lehmann Maupin, New York, Seoul, and London.

I am among those who think that science has great beauty.

— Marie Curie

Beauty gives you a sense of what it is like to be alive.

— Jennifer Steinkamp

The Tampa Museum of Art’s inaugural multi-media exhibition in the Bronson Thayer Gallery celebrates two female trailblazers: scientist Marie Curie (Polish-French, 1876-1934) and artist Jennifer Steinkamp (American, b. 1958). Curie remains the only woman awarded two Nobel Prizes for her groundbreaking scientific discoveries and research. Born nearly a century later, Steinkamp is internationally recognized for her monumental installations that unite art with technology. Pioneers in their respective disciplines  – science and art  – the exhibition Jennifer Steinkamp: Madame Curie highlights the remarkable work of both women. This presentation also launches the Museum’s new media and immersive art initiative, a milestone in our institution’s programming history.

Like Marie Curie, Steinkamp has long been inspired by science and how science transforms humanity. For over 30 years, she has been making site-specific art exploring the relationship between nature, power, and gender. With advances in technology and her affinity for design and coding, Steinkamp viewed the computer as a tool to make art. Madame Curie, commissioned by the Museum of Contemporary Art San Diego in 2011, was informed by Steinkamp’s investigations into the San Onofre Nuclear Generation Station, a decommissioned power plant located halfway between Los Angeles and San Diego. Her research inevitably led her to Marie Curie’s trailblazing work in physics and chemistry, specifically Curie’s revolutionary research on radioactivity and the discovery of polonium and radium.

While reading Curie’s biography, authored by the scientist’s daughter Eve Curie, Steinkamp noticed flowers and gardening were mentioned throughout the book—a passion that coincided with her love of science. Steinkamp created animation renderings of over 40 flowers mentioned in Curie’s biography. In Steinkamp’s Madame Curie, billowing stems of apple blossoms, daisies, eucalyptus, passion flowers, periwinkle, and wisteria float, tumble, and cascade across the gallery’s walls. The layered blooms create the perception of infinite space and continuous time. For the Tampa Museum of Art’s exhibition of Madame Curie, Steinkamp created a version of the animation specific to the gallery’s architecture. In this immersive installation, Steinkamp emphasizes the beauty of nature and how it brought Curie a sense of wonderment and joy throughout her life.

Presenting Sponsor:

Exhibition Sponsors:

Categories
Centennial Campaign News

The Beck Group to Manage Construction of Tampa Museum of Art Expansion

TAMPA, FL. – The Tampa Museum of Art announced today they have selected The Beck Group to manage the construction of the Museum’s Centennial Expansion project. 

An architecture and construction firm with offices in the U.S. and Mexico, Beck has managed the construction of many prominent cultural institutions. These include the Nasher Museum of Art at Duke University, the Nasher Sculpture Center in Dallas, and the Salvador Dali Museum in St. Petersburg. Beck has been in Tampa for more than 30 years. Its deep portfolio includes The James Museum and multiple projects at the Universities of Tampa and South Florida.

The Museum is funding the ambitious 77,904-square-foot expansion project through its ongoing Centennial Campaign, a comprehensive construction and endowment effort anchored by a $25 million lead gift from Dick Corbett. The Museum intends to reach its $110 million fundraising goal by late 2024 or early 2025, after which the institution will break ground. To date, generous support has been provided by individuals, families and corporations, as well as the City of Tampa, Hillsborough County, and the State of Florida.

“Our commitment to the Tampa Bay area extends beyond construction; it’s about enriching communities. We take pride in shaping Tampa’s downtown waterfront, exemplified by our collaboration on the Tampa Museum of Art’s Centennial Expansion,” said Ryan Toth, regional director for Beck’s Florida office.

“Tampa Bay is growing by leaps and bounds, and we want the Museum’s offerings to keep pace with the demands of our region well into the future,” said Dr. Jamie Winderbaum Fernandez, board chair of the Tampa Museum of Art. “It is a privilege to lead the Tampa Museum of Art board through this transformational project so our neighbors and visitors have access to a world-class cultural landmark.”

“After completing the Centennial Renovation last year, we are making full use of the increased gallery and education space for the benefit of our visitors, students, and the wider community,” said Michael Tomor, Ph.D., the Jeff and Penny Vinik Executive Director at the Tampa Museum of Art. “The Expansion project we are embarking upon will allow us to offer amenities that will drive sustainability for the Museum and ensure a lasting cultural legacy.”

The Tampa Museum of Art announced in November 2021 that the New York-based design team of WEISS/MANFREDI Architecture/Landscape/Urbanism would design the expansion. C. Samuel Ellison of Ellison Advisors, LLC will be the owner’s representative during the construction of the Museum’s expansion project.

Site Redevelopment

During the expansion project, the Museum’s surrounding site will be redefined to create new riverfront public terraces, sculpture parks, redesigned entrance plazas, outdoor dining and improved dog parks. As a continuation of Tampa’s Riverwalk, a sloped walk will bring pedestrians down to the river edge from the ground floor level. An outdoor amphitheater adjacent to the Museum’s indoor auditorium will serve as a shaded gathering place. With new native planting and shade trees, the Museum’s ground floor terrace will be accessible from the Riverwalk, creating a seamless and integrated public experience around the Museum and the park.

Grand Lobby

The new lobby will be accessible from both Curtis Hixon Park and Gasparilla Plaza. It will enhance the visitor experience with almost 12,000 square feet dedicated to a newly covered entrance, lobby, store, and restaurant. With an 18-foot ceiling height, this new first-floor space will provide ample space for exhibiting art within view of a new full-service restaurant with indoor and outdoor dining.

Auditorium

With exterior glazing along its West façade, the 150-seat auditorium will overlook the Hillsborough River, providing an inside-outside visual connection that defines the space. Equipped with a green room, sprung floor, projectors, AV system, and theatrical lighting, a range of events can be accommodated here: lectures, recitals, film screenings and multimedia performances. The space will be lined with acoustic wood panels and acoustically isolated from the event space above. A pre-function foyer space will serve as a flexible space on the mezzanine level before and after events.

Flexible Event Space and Digital Exhibition Wall

The large event space features a panoramic view of downtown Tampa, the University of Tampa, the Hillsborough River, and the Straz Center. With a 30-foot-tall ceiling equipped with a flexible AV and lighting system, it can host a myriad of exhibition and event configurations, transforming from a flexible digital gallery space to a private event space that can accommodate a seated dinner for 500 people and a dance floor. The adjacent catering kitchen will service the space when used for private events.

Sculpture Terrace

The new sculpture terrace will connect the existing Sullivan Terrace and the expansion’s second floor. The design will allow sculptures on display to be visible day and night from the Riverwalk and provide a connecting bridge to the new exhibition and event spaces.

Rooftop Spaces

On the fourth-floor rooftop, the interior space will house a flexible bar and accommodate a 100-person gathering, while the adjacent sculpture terrace provides a canopy with a circular oculus for various programming. A demonstration/test kitchen will be incorporated into the interior rooftop space where the Museum will add culinary arts classes to its educational programs.

Sustainability

The new building footprint significantly increases the Museum’s ability to go beyond its strategic plan of offering more exhibition and education programming to the community. All the new additional programable spaces add many more opportunities for income-generation activities into the institution’s business model through an increase in services and retail offerings to additional yearly visitors. With the new business model for the reconfigured space, the Museum will meet, and in some cases exceed, national averages of support and revenue, establishing Tampa’s cultural legacy for generations to come.

About The Beck Group

The Beck Group is a collaborative team of architects, builders, and technology experts transforming how its clients’ design and build. The century-old firm is the largest design-build firm in the United States, with 1000 employees in ten offices across the U.S. and Mexico. To learn more about Beck and how it designs and builds better communities, visit beckgroup.com.

###

Categories
Centennial Campaign News

Cornelia Corbett Appointed New Chair of Tampa Museum of Art Centennial Capital Campaign

TAMPA, Fla. (July 9, 2024) — The Tampa Museum of Art today announced Cornelia Corbett has been named chair of its ambitious Centennial Capital Campaign. Corbett steps into the leadership role following the recent passing of the campaign’s former chairman, A. G. “Jerry” Divers, who died after a brief illness in mid-May.

Corbett has been a steadfast supporter of the museum for over a quarter of a century. She has previously served as chair of the museum’s Board of Trustees and is a current member of the Tampa Museum Foundation Board. Her deep involvement in the ongoing Centennial Campaign as a member of the Centennial Campaign Cabinet positions her well to steer the campaign toward its transformative goals.

Reflecting on the legacy of her predecessor, Corbett remarked, “Jerry Divers spent decades as a champion of the Tampa Museum of Art, and I have been honored to work with him on not one but two capital campaigns over the past two decades to ensure that Tampa has a world-class art museum.”

“Jerry never missed an opportunity to share his excitement and enthusiasm about what the museum could accomplish with the bold expansion of the facilities this capital campaign will underwrite.” The Centennial Campaign will allow the museum facilities to grow from 69,000 square feet to 120,000 square feet and to expand the exhibition and collection spaces from 14,800 square feet to 43,000 square feet. Once the expansion is complete, the new facilities will allow the Museum to serve 24,000 Hillsborough County school students annually.

Corbett’s vision for the future is clear: “I am honored and humbled to take on this role and to continue working with the Tampa Museum Foundation Board and the Museum Board of Trustees to accomplish the mission that Jerry Divers’ dedicated leadership has provided since the campaign was launched in 2019.”

Michael Tomor, Ph.D., the Penny and Jeff Vinik Executive Director of the Tampa Museum of Art, expressed his confidence in Corbett’s leadership: “Cornie Corbett is a deeply committed, no-nonsense advocate of the missions she undertakes. By becoming the leader of the Centennial Capital Campaign at this crucial time, the museum is confident that her perseverance will ensure that Jerry Divers’ vision of a stunning expansion will be achieved at the Tampa Museum of Art.”

###

Categories
News

TMA Board Member Ron Christaldi Selected as Chair of Leadership Florida Board of Directors

TAMPA, FL — We are thrilled to share that Tampa Museum of Art Board Member, Ron Christaldi, has been selected as the Chair of the Leadership Florida Board of Directors for the 2024-2025 term. A distinguished business lawyer and community leader, Ron’s new role with Leadership Florida is a testament to his deep commitment to fostering leadership and progress across the state.

As Vice-Chair of the Tampa Museum of Art’s Governing Board of Trustees, Ron’s dedication to leadership extends into the arts, enriching our community’s cultural and developmental initiatives. His extensive experience and strategic insight will greatly benefit Leadership Florida’s mission to cultivate leadership throughout the state, which aligns with our goals at the museum of driving community engagement and growth.

We are excited about the possibilities this appointment holds for strengthening leadership within Florida. The museum family looks forward to supporting Ron in his new role and continuing our collaborative efforts to make a positive impact.

For more details, visit Shumaker.com to read the full press release.