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Tampa Museum of Art Receives Botero Sculpture and $1 Million Gift from Jorge M. Perez

Fernando Botero (Colombian), Mujer Vestida, 1997, bronze, 126 x 62 x 62 inches.
Fernando Botero (Colombian), Mujer Vestida, 1997, bronze, 126 x 62 x 62 inches.

Tampa, FL (November 17, 2022) – The Tampa Museum of Art announced today that philanthropist and art collector Jorge M. Pérez bestowed a monumental sculpture by Colombian artist Fernando Botero and a $1 million cash gift to the Museum.

“We’re beyond delighted to receive this remarkable opportunity to further the Tampa Museum of Art’s commitment to collecting and exhibiting artwork that represents the cultural tapestry of our Tampa Bay region,” said Michael Tomor, Ph.D., the Penny and Jeff Vinik Executive Director of the Tampa Museum of Art. “We share Mr. Pérez’s commitment to building better cities and a better Florida, and the gift of art and $1 million donation will help the Museum continue to build art education and exhibition programming that is accessible to all community members.”

The towering bronze sculpture titled Mujer Vestida (Dressed Woman) formed part of the corporate collection of Pérez’s real estate development company, Related Group, and was most recently on view at the Ritz-Carlton Residences on Bayshore Boulevard in Tampa. Botero’s Mujer Vestida is a significant gift to the Tampa Museum of Art’s permanent collection, not only because of its importance as a work by a modern master, but because it continues growing TMA’s sculpture collection which also includes notable works by Jaume Plensa and Patricia Cronin and Latin American artist collection, which includes works by Oswaldo Vigas, José Bedia Valdés, Rufino Tamayo, Diego Rivera and Milhaud Vik Muñiz.

“Art is at the heart of any great city,” said Jorge M. Perez. “I’ve been fortunate to see the impact public art installations have on communities first hand, which is why we incorporate museum-quality art into every single one of our projects while also supporting local cultural organizations. This commitment stands true in Tampa Bay, especially as the Related team continues to deepen its involvement in the region. We look forward to working with the museum team to further enrich Tampa’s arts and culture ecosystem.”

Joanna Robotham, Curator of Modern and Contemporary Art at the Tampa Museum of Art, said, “we’re so thrilled that the Botero sculpture will have a permanent home in Tampa. We couldn’t be more grateful for this very generous gift.”

Perez’s $1 million gift accompanying the Botero donation supports new and growing exhibition and studio art programming at the Museum that results from its Centennial Renovation and Expansion. Last week, the Museum premiered the first of several brand-new exhibition galleries with the exhibition Time for Change: Art and Social Unrest in the Jorge M. Pérez Collection.

This week, the Museum opened its brand-new west lobby, Harrod Family Museum Store, and the entrance to its new first-floor gallery. Earlier this year, the Museum opened the new Vinik Family Education Center. With these improvements in place, the Museum anticipates quadrupling the number of students it serves per year, and the school tour program alone can grow from 6,000 to 24,000 students each year.  

Jorge M. Pérez

Jorge Pérez, Chairman and Chief Executive Officer of Related Group, remains committed to building a better Florida, spearheading the state’s complex urban evolution for over 40 years. Starting out in Miami’s public housing market, Pérez’s passion for creating vibrant, urban communities has made him a trendsetter, often the first developer to enter undiscovered neighborhoods.

In addition to real estate development, Pérez is devoted to supporting arts and culture initiatives across the nation, as well as nurturing the artists and curators of the future. Thus, in 2019, Pérez established El Espacio 23, a 28,000-square-foot contemporary art space offering the general public, artists and curators access to a variety of exhibitions and residencies drawn from the world-renowned Jorge M. Pérez Contemporary Art Collection.

Fernando Botero and Mujer Vestida

The towering Mujer Vestida is one of Fernando Botero’s widely exhibited bronze sculptures. The masterpiece, gifted to the Tampa Museum of Art from the Related Group’s corporate collection, has been shown in major cities worldwide. An earlier version of this same piece was donated by Botero to the city of Medellín, Colombia on permanent view in the Plaza Botero. Despite its monumental scale, often associated only with commemorative statues, Botero has the innate ability to humanize his subjects rather than aggrandize them. As is the case with most of his sculptures, the figures are anonymous. Mujer Vestida is elegantly dressed and created in his signature witty and opulent style, meant to represent a specific type of woman rather than an individual.

Fernando Botero is one of the leading figures of art from Latin America and his distinctive style is instantly recognizable. His paintings, sculptures and drawings are exhibited and represented in museum collections throughout the world. Botero became interested in painting at an early age and began as an illustrator for Medellín’s local newspaper. He left Colombia for Europe in the 1950s and settled in New York in the 1960s where he experimented with gestural painting but instead chose to solidify what later became known as his signature, namely, smooth and inflated shapes and figures. His exaggerated compositions go beyond an aesthetic choice and can be political, ironic, and even humorous.

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“Time for Change” Opens as Tampa Museum of Art Debuts Newly Expanded Gallery Spaces

Umar Rashid (Frohawk Two Feathers) (American, b. 1976), The Palace of Quilombos, Gonalves 1793, 2015. Acrylic and ink on canvas. 72 x 84 inches. Jorge M. Pérez Collection, Miami.
Umar Rashid (Frohawk Two Feathers) (American, b. 1976), The Palace of Quilombos, Gonalves 1793, 2015. Acrylic and ink on canvas. 72 x 84 inches. Jorge M. Pérez Collection, Miami.

Tampa, FL – The inaugural exhibition that opened Miami’s contemporary art space, El Espacio 23, will now also premiere the first of many newly expanded gallery spaces at the Tampa Museum of Art.

Time for Change: Art and Social Unrest in the Jorge M. Pérez Collection, on view November 10 through March 12, 2023, looks at how artists explore conflicts and contradictions of contemporary society, as well as analyzes historical events and reframes them within the present. An interest in the marginalized, the marginal and the margins (of society, of history) unites the works in the exhibition. 

“We’re thrilled to partner with philanthropist and collector Jorge M. Pérez and El Espacio 23 to bring this thought-provoking collection of significant contemporary works to Tampa Bay,” said Michael Tomor, the Penny and Jeff Vinik Executive Director of the Tampa Museum of Art. Tomor added, “Time for Change is a fitting start to a new era of expanded exhibition programming at the Museum. We’re eager to welcome the community into our new galleries and begin offering more year-round opportunities to experience and learn from works that reflect our region’s vibrant community.”

In 2021, the Tampa Museum of Art announced it was embarking on its $100 million Centennial Renovation and Expansion. The opening of Time for Change coincides with the completion of the ambitious renovation portion of the project to increase exhibition space and education facilities within the footprint of the existing building, which first opened in 2010 and was designed by San Francisco architect Stanley Saitowitz.

The reimagining of the existing Museum spaces was led by New York-based WEISS/MANFREDI Architecture/Landscape/Urbanism. As a result of the renovation, the Museum opened the new Vinik Family Education Center in May of this year and increased its exhibition and collection space from 14,800 to more than 43,000 square feet. Time for Change is the first of several back-to-back exhibition openings in the brand-new galleries between now and February 2023.

Envisioned by Colombian curator José Roca, Founder and Director of FLORA ars+natura, Bogotá in collaboration with Pérez Collection stewards Patricia M. Hanna and Anelys Álvarez, Time for Change features 60 artworks by 57 artists from around the world. The exhibition highlights art—from painting and sculpture to video and works on paper—that addresses unrest through allegory, metaphor or veiled allusion.

Time for Change is structured around themes, or “nuclei,” which organically establish dialogue and correlations amongst the pieces, yet are not necessarily contained by an argument. The themes of the exhibition are grouped into six categories that examine a variety of voices.

  1. Entangled Histories features works by Yinka Shonibare CBE, Doris Salcedo, Fernando Bryce, Walker Evans, Ai Weiwei, and Sandra Gamarra proposing essential questions: How do we remember as a society? Who is forgotten by history, and for what reasons? How is a traumatic event inscribed in the (social) body?
  2. Extraction and flows examines displacement of peoples, as well as the exploitative justifications behind forced expatriation and includes a monumental installations by Barthelemy Toguo along alongside works by David Goldblatt, Alfredo Jaar, Marisol, and Eduoard Duval Carrie, among others.
  3. Artivism: art in the social sphere includes works by Robert Longo, Camilo Restrepo, Rafael Lozano Hemmer, Esterio Segura, Glenda Leon and many others, focuses on political unrest and public protest on the streets, an essential expression of democracy which has been diminished in our reduced public sphere. 
  4. State Terror includes two large scale pieces by Carlos Garaicoa and Alejandro Campins in addition to works by Ed Ruscha, Reynier Levya Novo, Umar Rashid, Gonzalo Fuenmayor alongside other artists, and signals how, in a world of real-time generalized surveillance, protest is countered with repression and violence.
  5. Spatial Politics reflects on social control through spatial segregation, examining modern architecture and its role in creating segregated communities—structures to house the “undesirable,” namely immigrants, people of other races, classes and nationalities and includes works by artists such as Teresa Burga, Rene Francisco Rodriguez, Mikhael Subotzky, Julian Opie, and Samuel Levi Jones.
  6. Emancipatory Calls summons viewers to reclaim the beauty of our differences, understanding that a more just society can only be built on respect for one’s right to be different. Highlights from this section include Rashid Johnson, Christopher Myers, Kara Walker, Firelei Baez and Ana Maria Devis.

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Tampa Museum of Art Announces Acquisition of New Haitian Art Collection and Accompanying $1,000,000 Gift

Andre Pierre (Haitian, b. 1914), Erzulie, 1973. Oil on canvas. 37 x 26 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust.
Andre Pierre (Haitian, b. 1914), Erzulie, 1973. Oil on canvas. 37 x 26 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust.

TAMPA, Fla. (October 18, 2022) – The Tampa Museum of Art announced today that it has closed on a gift of 88 pieces of Haitian art and a $1 million gift in support of the collection.

The paintings, sculptures, and framed maps, along with the cash gift, were bequeathed to the Tampa Museum of Art by the Arthur R. Albrecht Revocable Trust. Albrecht was a devoted collector of Haitian art and was also active in philanthropy on behalf of the country.

“Florida is home to one of the largest Haitian diaspora communities in the world, and we are thrilled to make this distinctive collection available to our visitors,” said Michael Tomor, Ph.D., the Penny and Jeff Vinik Executive Director at the Tampa Museum of Art. “Mr. Albrecht built a superb collection surveying the rich cultural themes, landscapes, and communities on the island, and this exhibit will add to the increasingly global and dynamic exhibitions we have available for viewing.”

The Albrecht Collection includes artworks from Haiti’s most prominent painters, including Rigaud Benoit, Wilson Bigaud, Prefete Duffaut, and Philome Obin. The paintings, rarely seen by the public until now, present an overview of the major developments in Haitian painting from the 1960s-80s. The holdings of the Albrecht Collection further augment the Tampa Museum of Art’s collection of Haitian art which includes one of the largest American museum collections of drapo vodou or Haitian vodou flags.

The $1 million gift accompanying the collection complements ongoing fundraising efforts by the Museum’s Centennial Campaign for Renovation and Expansion. The Museum recently completed renovations of the Vinik Family Education Center, growing the education space from 1,400 to 8,000 square feet, including four classrooms, a lobby, orientation spaces, and a secure entrance. With these improvements in place, the Museum anticipates quadrupling the number of students it serves per year, and the school tour program alone can grow from 6,000 to 24,000 students each year.  

In 2021, the Museum announced it was embarking on its $100 million+ Centennial Renovation and Expansion to expand the Museum’s gross area from 69,000 to 125,000 sq. ft. New galleries are scheduled to open beginning in November 2022, and the groundbreaking for the expansion portion of the project is expected to take place next year.  

Future programming at the Tampa Museum of Art for the Albrecht Collection includes a dedicated exhibition in spring 2024. The exhibition will provide a springboard for educational and scholarly opportunities, including collaborations with universities on Florida’s west coast and Miami, as well lectures and symposia with renowned artists and scholars of Haitian art and the Diaspora. A publication with today’s foremost Haitian artists and writers will accompany the exhibition and related programming.

Prefete Duffaut (Haitian, 1923-2012), Magician, c. mid. 1960s. Oil on Masonite. 46 x 24 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust.
Prefete Duffaut (Haitian, 1923-2012), Magician, c. mid. 1960s. Oil on Masonite. 46 x 24 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust.
Rigaud Benoit (Haitian, 1911-1986), Les Oiseaux, 1973. Oil on Masonite painting. 37 x 25 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust
Rigaud Benoit (Haitian, 1911-1986), Les Oiseaux, 1973. Oil on Masonite painting. 37 x 25 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust
Philome Obin (Haitian, 1892-1986), Revolutionary Leaders, late 1960s. Oil on Masonite. 16 x 20 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust.
Philome Obin (Haitian, 1892-1986), Revolutionary Leaders, late 1960s. Oil on Masonite. 16 x 20 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust.
Wilson Bigaud (Haitian, 1931-2010), Wedding Scene, 1973. Oil on Masonite. 24 x 24 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust.
Wilson Bigaud (Haitian, 1931-2010), Wedding Scene, 1973. Oil on Masonite. 24 x 24 inches. Tampa Museum of Art, Gift of the Arthur Albrecht Revocable Trust.

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TMA Reopens on September 30 After Hurricane Ian

Tampa, FL (September 29, 2022) – Tampa and the Tampa Museum of Art were fortunate to be spared some of the worst effects of Hurricane Ian’s landfall in Florida. Unfortunately, other communities across the state were not so lucky. Our hearts go out to the individuals and communities who were impacted by the worst of the storm.

The Tampa Museum of Art will reopen and resume regular hours beginning Friday, September 30 at 10 am. We invite anyone who lost power in Tampa Bay to find some tranquility in our exhibition galleries and use our free Wi-Fi or recharge cell phones in the Museum’s Vinik Family Education Center.

Please continue following official communications from the City of Tampa or your local government regarding hurricane recovery efforts and the restoration of services and infrastructure.

General Hours and Information

For tickets and information, visit TampaMuseum.org or call (813) 274-8130. Located at 120 W. Gasparilla Plaza. Tampa, FL 33602, the Tampa Museum of Art is open seven days a week, Monday – Sunday, 10 am – 5 pm, and Thursdays from 10 am – 8 pm.  

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Tampa Bay’s Morning Blend | New Photography Exhibit on Display at Tampa Museum of Art

Tampa Museum of Art is presenting 40 years of groundbreaking photography in their new exhibit by Dawoud Bay and Carrie Mae Weems.

It brings together 140 words that give a unique glimpse into Bey and Weems’ distinct artistic approaches and trajectories, as well as their shared focus on representing communities and histories that have largely been unseen.

This collection of images amplifies the artists’ conversation with history and African American culture, with each exploring similar themes of race, class, representation, and systems of power throughout their careers.

It’s on display at the Tampa Museum of Art until October 23, then it goes on a nationwide tour.

Watch the video interview on Tampa Bay’s Morning Blend

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St. Pete Catalyst | Groundbreaking photographers’ work on view in Tampa

In 1976, on his first day teaching a photography class at the Studio Museum in Harlem, Dawoud Bey was greeted by a “seemingly shy woman with big expressive eyes,” he later recalled. “Hi, my name is Carrie,” she said as she held a Leica 35mm camera. “Do you think I could be a photographer?” Read Full Story

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Tampa Museum of Art Presents Forty Years of Groundbreaking Photography by Dawoud Bey and Carrie Mae Weems

Tampa, FL (July 18, 2022) – A forty-year retrospective by two of today’s most influential photo-based artists, Dawoud Bey and Carrie Mae Weems, will be on view at the Tampa Museum of Art beginning July 21 until October 23, 2022, for the first stop in a nation-wide tour. Organized by the Grand Rapids Art Museum (GRAM), Dawoud Bey & Carrie Mae Weems: In Dialogue is the first exhibition to bring their work together exclusively. Featuring 140 works, the exhibition gives a unique glimpse into their distinct artistic approaches and trajectories, as well as the artists’ shared focus on representing communities and histories that have largely been unseen.

“We’re thrilled to partner with GRAM to bring such a historically significant exhibition to Florida,” said Michael Tomor, the Penny and Jeff Vinik Executive Director of the Tampa Museum of Art. Speaking about the artists, Chief Curator of GRAM, Ron Platt said, “Dawoud Bey and Carrie Mae Weems have always sought to create works of art that expand the way we think about the world. Both artists have been united in their commitment to amplifying authentic Black experiences and images, recognizing those important perspectives and insights were overlooked and sorely lacking within the field of photography.”

Both born in 1953, Bey and Weems found motivation for their art in the changing American social landscape of their youth. Since meeting in a photography class taught by Bey at the Studio Museum in Harlem in 1976, the two artists have been intellectual colleagues and close friends, each exploring similar themes of race, class, representation, and systems of power throughout their careers.

“Carrie Mae Weems and I have been carrying on a personal conversation for more than forty years,” said Dawoud Bey of his relationship with Weems. “We both see ourselves in conversation with history, both broadly and within the sphere of African American culture. We’ve nurtured each other’s burning desire to contribute meaningfully to the long history of Black expressive excellence. Hopefully, this exhibition [curated by] the Grand Rapids Art Museum reveals that the conversation that Carrie and I have had has both buoyed each other’s work and produced something of lasting meaning and value.”

Of the exhibition, Carrie Mae Weems said, “I’ve never been given a major exhibition in concert with another artist that I was deeply involved with, so for me, it’s a really unique exhibition. It gives me the great opportunity of learning about an extraordinary artist who has been by my side for the last 45 years. What Dawoud has managed to accomplish is not easy for any artist. And he’s done it with such dignity, such grace, and with such generosity of spirit.”

Bey and Weems began their exploration of photography as the field was expanding and transforming from a tradition of small, black-and-white film-based images. In Dialogue highlights the early pictures they made in the photodocumentary style, followed by their ambitious, groundbreaking explorations of the medium as it grew technologically and artistically.

This exhibition pairs the two artists’ work in five sections that emphasize both their distinct artistic approaches and their shared interests and concerns: Early Work, Broadening the Scope, Resurrecting Black Histories, Memorial and Requiem, and Revelations in the Landscape. Also featured in the exhibition are videos by Bey and Weems that show their approaches to the moving photographic image as an extension of their still photographic series.

Beginning with Early Work, viewers will travel through the 35mm photography Bey and Weems captured at the outset of their careers, embracing both spontaneous scenes of city life, and more quiet, domestic interactions. In Broadening the Scope, Bey and Weems’ begin staging their photographs — Bey capturing posed street portraits of young subjects in urban environments and Weems staging her groundbreaking, narrative-based Kitchen Table Series.

In Resurrecting Black Histories, we see the artists’ deepened interest in documenting places and moments heavy with historical importance. Bey captures safe houses and meeting sites in near darkness along the Underground Railroad of Ohio, while Weems’ somber Sea Island Series explores the African legends and folklore that was retained within the Gullah culture of the Southern United States. In Memorial and Requiem, both artists become full-fledged in their commitment to cultural documentation, paying homage to tragic historic events. In the final section, Revelations in the Landscape, the artists return to a more distanced observation, contemplating the effects of time through location. Bey revisits Harlem, now photographing the effects of gentrification in color, while Weems appears in her own shots against the ancient structures of Rome, clad all in black as she guides the viewer through age-old institutional powers abroad.

Dawoud Bey & Carrie Mae Weems: In Dialogue is organized by the Grand Rapids Art Museum and is sponsored at the Tampa Museum of Art by Bank of America.

About Dawoud Bey

Photographer Dawoud Bey’s first exhibition was presented at the Studio Museum in Harlem, in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Tate Modern, London. Bey’s writings on his own and others’ work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities, and High Times, Hard Times: New York Painting 1967 – 1975.

About Carrie Mae Weems

Over her career, Carrie Mae Weems has created a complex body of artwork through which she explores power, class, black identity, womanhood, the historical past – and its resonance in the present moment. In addition to photography, Weems creates video, performance, and works of public art, and she organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo, Seville, Spain, and the American Academy in Rome, Italy.

About the Tampa Museum of Art

Founded in 1920, the Tampa Museum of Art inspires visitors with engaging exhibitions and innovative educational programs that emphasize ancient, modern, and contemporary art. The Museum houses one of the largest Greek and Roman antiquities collections in the southeastern United States. As one of the region’s most prominent museums devoted to the art of our time, the Museum’s permanent collection also embraces sculpture, photography, painting, new media, and more.

The Museum’s new Vinik Family Education Center offers expanded year-round studio art classes, lectures, and tours that allow children, teens, and adults to discover new perspectives and learn different art-making techniques. Likewise, through unique community partnerships, the Museum offers outreach programs that provide art-therapy-informed interventions and meaningful modes of self-expression to vulnerable segments of the population.

Located in the heart of downtown Tampa, the Tampa Museum of Art leads as both a cultural institution and a community museum dedicated to celebrating its home city’s diversity. In 2021, the Museum embarked on an ambitious renovation to increase exhibition space and education facilities to accommodate growing community partnerships and allow more hands-on, up-close experiences for students and adults. The Museum will remain open to the public throughout the Centennial Renovation, with an expected completion date in the second half of 2022.

General Hours and Information

For tickets and information, visit TampaMuseum.org or call (813) 274-8130. Located at 120 W. Gasparilla Plaza. Tampa, FL 33602, the Tampa Museum of Art is open seven days a week, Monday – Sunday, 10 am – 5 pm, and Thursdays from 10 am – 8 pm.  

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Tampa Museum of Art Announces $5 Million Gift from Vinik Family to Support New Education Center

Penny Vinik speaks to the guests attending the Vinik Family Education Center Opening Celebration on Monday, May 23, 2022. Photo by Bryce Womeldurf.
Penny Vinik speaks to the guests attending the Vinik Family Education Center Opening Celebration on Monday, May 23, 2022. Photo by Bryce Womeldurf.

TAMPA Fla. (May 24, 2022) –The Tampa Museum of Art has announced that its new education center will be named the Vinik Family Education Center, in honor of a $5 million gift made by Jeff and Penny Vinik to the Museum’s $100 million Centennial Campaign for Renovation and Expansion.

“The Tampa Museum of Art is renowned for the value of its educational programs and its exceptional support for Hillsborough County students and teachers. We are delighted to advance that good work with this gift, and to further contribute to the Museum’s mission to educate, engage, and inspire Tampa Bay residents and others around the world,” said Penny Vinik.

“The opening of our new education center is long-awaited for Museum members, volunteers, and other visitors. We are so thrilled to finally have a facility with a capacity to match the demand for our education programs, and we are grateful to the Viniks for their generous gift to help make this facility and the future growth possible,” said Michael Tomor, Ph.D., the Penny and Jeff Vinik Executive Director of the Tampa Museum of Art.

The education center opened on May 16 and will serve as the temporary entrance to the Museum while additional renovations are completed on the west side of the building. The first classes in the space will be the Museum’s Summer Art Camps for ages 6-17, beginning Monday, June 6. Over 200 children are already enrolled for the summer, with few available spots.

The most recent gift by the Viniks for the education center is made in addition to a previous $5 million gift made in October 2019 to endow the position of executive director, bringing the family’s total contributions to the Centennial Campaign to $10 million. To date, including the Vinik family’s gifts, the Centennial Campaign has raised $71 million toward the Museum’s $100 million goal.

With the Education Center renovations complete, the education space has grown from 1,400 to 8,000 square feet, including four classrooms, a lobby, orientation spaces, and a secure entrance. With these improvements in place, the Museum anticipates quadrupling the number of students it serves per year, and the school tour program alone can grow from 6,000 students to 24,000 each year.

In 2021, the Museum announced it was embarking on its $100 million Centennial Renovation and Expansion to expand the Museum’s gross area from 69,000 to 125,000 sq. ft. The renovation portion of the project is rolling out now, beginning with the new Vinik Family Education Center. New galleries are scheduled to open in the fall of 2022, and the groundbreaking for the expansion portion of the project is expected to take place early next year.

The design of the entire renovation and expansion project is led by New York-based WEISS/MANFREDI Architecture/Landscape/Urbanism. Speaking about the accomplishment of this milestone, Principal Architects Marion Weiss and Michael Manfredi said, “we’re inspired by the Tampa Museum of Art’s expansive commitment to arts education. We’re thrilled that the Vinik Family Education Center is the fitting and very visible first phase of the larger transformation and expansion of the Museum. These studios and education spaces will provide light-filled settings to connect all the arts to the larger community of Tampa.”

The future expansion project will add a 4,000-square-foot auditorium. Culinary Arts classes on the third-floor rooftop area of the expansion will also add to its future education program offerings.

“I am a longtime Tampa resident, and I cannot remember another time when our local arts and culture institutions have had so much wind at their back,” said Jerry Divers, chair of the Campaign Cabinet and president of the Tampa Museum of Art Foundation. “This generous gift from the Vinik family, in addition to the historic $25 million donation from Dick Corbett announced last month, is truly transformational for the Museum and the Tampa Bay community.”

“As we embarked on the Centennial Campaign, we made a commitment to Hillsborough County students and teachers that we would make it a priority to serve them and make the Museum’s resources accessible to them for field trips, extracurricular programming, and professional development. By giving so generously to the new Education Center, the Viniks have made a lasting impression on the next generation of Tampa Bay residents,” said Dianne Jacob, chair of the Tampa Museum of Art Board of Trustees. 

To learn more about the Tampa Museum of Art Centennial Renovation and Expansion, visit http://centennial.tampamuseum.org

About The Vinik Family Foundation
Vinik Family Foundation (VFF) is a private foundation created and managed by Jeff and Penny Vinik. Founded in 1997, VFF has donated over $100 million to nonprofits working in the areas of education, human services, healthcare, and the arts. VFF is especially dedicated to broadening the public’s understanding of art through inclusive, interactive exhibits and installations.

Under the umbrellas of the Vinik Family Foundation and the Lightning Foundation, the Viniks have invested significantly in Tampa Bay area charities through a variety of initiatives – the most notable being the Lightning Community Heroes program, which honors grass-roots heroes with $50,000 each for their respective non-profits at every Lightning home game.

Vinik has ventured into development and over the last several years has moved forward with his vision to develop some 60 acres in downtown Tampa. Water Street Tampa includes donated land and financial support to house the USF Health Morsani College of Medicine & Heart Institute downtown. The walkable waterfront community will also feature corporate office buildings, a hotel, residences, retail, restaurants, and entertainment options. In Tampa, Penny Vinik is a board member of the Tampa Museum of Art and she chairs a community arts initiative that enables Tampa Bay-based artists to display their works throughout Amalie Arena and to bring exhibits such as The Beach and The Art of the Brick to Tampa Bay as free events that are open to the public. Penny is also at the forefront of organizing the annual Celebration of the Arts, a juried exhibition that displays the works of hundreds of local and regional artists.

Photo of Jeff and Penny Vinik
Jeff and Penny Vinik.

About Penny and Jeff Vinik
Jeff & Penny Vinik moved to Tampa in 2012 after Jeff acquired the Tampa Bay Lightning hockey team. After 20 plus years in Boston, the Viniks were thrilled to experience the warmth of Tampa Bay – both in the weather and in the people. They have been embraced by the Tampa Bay community in an exceptional manner and they are pleased to reciprocate this friendship whenever and wherever they can.

Jeff initially moved his company, Vinik Asset Management to Tampa but soon closed it to focus on the Lightning and the redevelopment of the district surrounding Amalie Arena. In partnership with Cascade Investment, the investment arm of the Gates Foundation, Jeff and his real estate development company, Strategic Property Partners are diligently working on the re-imagining of 50 acres in downtown Tampa. In addition to this “small” project, Jeff likes to travel with his family and, of course, cheer on the Bolts!

Penny currently serves on the Board of the Tampa Museum of Art and formerly served as an Ambassador for the non-profit, Dress for Success. In August 2016, she and Jeff were pleased to bring The Beach Tampa by Snarkitecture to Amalie Arena. Following the tremendous response to this installation, they presented The Art of the Brick Tampa in summer 2017, welcoming over 135,000 guests to experience the art of Nathan Sawaya free of charge.

About WEISS/MANFREDI

WEISS/MANFREDI Architecture/Landscape/Urbanism is a multidisciplinary design practice based in New York City. Founded by Marion Weiss and Michael Manfredi, the firm is known for the dynamic integration of architecture, art, infrastructure, and landscape design. The firm is well known for the Seattle Art Museum’s celebrated Olympic Sculpture Park, named by TIME magazine as one of the top ten marvels in the world and by Architectural Record as one the “most significant works that defined architecture in our era.” Other notable projects include the Women’s Memorial at Arlington National Cemetery, the Brooklyn Botanic Garden Visitor Center, and Hunter’s Point South Waterfront Park. The firm’s current work includes the U.S. Embassy in New Delhi, India, the Artis—Naples Baker Museum and Cultural Campus, and the Tsai Center for Innovative Thinking at Yale. Most recently, the firm was selected through an international competition to reimagine the La Brea Tar Pits and Page Museum in Los Angeles. For more information visit weissmanfredi.com.

Tampa Museum of Art rendering of Centennial Renovation and Expansion. Image courtesy of Weiss/Manfredi.
Tampa Museum of Art rendering of Centennial Renovation and Expansion. Image courtesy of Weiss/Manfredi.

Learn more about the Tampa Museum of Art’s $100 Million Centennial Campaign for Expansion and Renovation.

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Tampa Museum of Art Presents First Annual Juneteenth Cultural Celebration

May 12, 2022 (Tampa, FL) — Commemorate Juneteenth with an engaging, family-friendly experience at the Tampa Museum of Art’s first annual Juneteenth Cultural Celebration. On Sunday, June 19, 2022, from 10 am to 8 pm, prepare for a lively community celebration of this holiday, also known as Freedom Day, with free museum admission, art-making activities, live music and performances, family portraits, amazing food trucks, and more.

The event lineup also includes programs by community partners Moffitt Cancer Center, its George Edgecomb Society, and HORUS Construction Services, promoting social and health equity for all community members. CAN Community Health will provide free health screenings onsite throughout the day. Visitors will also experience a free sampling of arts and health programs the Tampa Museum of Art provides for families and various special needs groups.

Kessanda Abel, Community Engagement Manager at the Tampa Museum of Art, said, “Juneteenth at TMA is an excellent way to see the amazing power that art has to bring the community together, especially when all members of the community are welcome and represented in a place that celebrates the uniqueness of everybody.”

Cathy Grant, Vice President and Chief Diversity Equity and Inclusion Officer at Moffit Cancer Center and Co-chair of the Governance Committee at the Tampa Museum of Art, said, “this celebration is a great example of organizations with a shared commitment to equity working together to support programs like the Juneteenth Cultural Celebration and making educational opportunities accessible to everyone. It’s important for us to extend the opportunity for young people and community members to be able to walk through the doors with their personal experiences, see themselves represented and know that this is a place where they are welcomed, whether they are experiencing the exhibits at the Tampa Museum of Art, or receiving care at the Moffitt Cancer Center.”

Lena Graham Morris, Chair of HORUS Academy, added that “commitment to equity and inclusion is vital as we continue to educate and create cultural awareness. We continue to make strides in this arena and work from a place and space of intention. These efforts ignite impact in our communities from a grassroots perspective, which moves the needle for opportunities to live a quality life.”

The first annual Juneteenth Cultural Celebration is possible thanks to passionate community members and partner organizations that support the Black and African American community in the Tampa Bay area and share the Museum’s objectives to create programs that facilitate equal access to art education opportunities for all community members.

Register for free admission to the Juneteenth Cultural Celebration at https://tampamuseum.org/juneteenth

About Moffitt Cancer Center

Moffitt is dedicated to one lifesaving mission: to contribute to the prevention and cure of cancer. The Tampa-based facility is one of only 52 National Cancer Institute-designated Comprehensive Cancer Centers, a distinction that recognizes Moffitt’s scientific excellence, multidisciplinary research, and robust training and education. Moffitt’s expert nursing staff is recognized by the American Nurses Credentialing Center with Magnet® status, its highest distinction. With more than 7,500 team members, Moffitt has an economic impact in the state of $2.4 billion. For more information, call 1-888-MOFFITT (1-888-663-3488), visit MOFFITT.org, and follow the momentum on Facebook, Twitter, Instagram and YouTube.

About the Tampa Museum of Art

Founded in 1920, the Tampa Museum of Art inspires visitors with engaging exhibitions and innovative educational programs that emphasize ancient, modern, and contemporary art. The Museum houses one of the largest Greek and Roman antiquities collections in the southeastern United States. As one of the region’s most prominent museums devoted to the art of our time, the Museum’s permanent collection also embraces sculpture, photography, painting, new media, and more.

Online programs add to the year-round studio art classes, lectures, and tours that allow children, teens, and adults to discover new perspectives and learn different art-making techniques. Likewise, through unique community partnerships, the Museum offers outreach programs that provide art-therapy-informed interventions and meaningful modes of self-expression to vulnerable segments of the population.

Located in the heart of downtown Tampa, the Tampa Museum of Art leads as both a cultural institution and a community museum dedicated to celebrating its home city’s diversity. In 2021, the Museum embarked on an ambitious renovation to increase exhibition space and education facilities to accommodate growing community partnerships and allow more hands-on, up-close experiences for students and adults. The Museum will remain open to the public throughout the Centennial Renovation, with an expected completion date in the second half of 2022.

General Hours and Information

For tickets and information, visit TampaMuseum.org or call (813) 274-8130. Located at 120 W. Gasparilla Plaza. Tampa, FL 33602, the Tampa Museum of Art is open seven days a week, Monday – Sunday, 10 am – 5 pm, and Thursdays from 10 am – 8 pm.

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Tampa Museum of Art Announces Historic $25 Million Lead Gift to Centennial Capital Campaign

TAMPA, FL (April 25, 2022) – The Tampa Museum of Art has received a landmark $25 million donation from Dick Corbett as the lead donation to the Museum’s Centennial Capital Campaign for Renovation and Expansion, which began during its 100th anniversary celebration in 2020.

“This extraordinary gift to the Museum contributes a historic $25 million cash gift to our campaign for the Museum’s expansion. It will allow us to grow our overall area from 69,000 to 120,000 square feet and expand our exhibition and collections space from 14,800 square feet to 43,000 square feet. It will also more than triple available event space, add public restaurant and retail store space as well as a 10,000-square-foot Education Center, allowing us to serve 24,000 Hillsborough County school students annually,” said Michael Tomor, Ph.D., the Penny and Jeff Vinik Executive Director of the Tampa Museum of Art.

“This gift from Dick Corbett makes history in Florida’s art community because it constitutes the single largest private donation ever made to a public art museum and art education center in this state,” Tomor added, noting that although there have been other large donations made to museums in Florida, those have been in the form of part cash-part collections of art.

“This generous donation is unique because it is a stand-alone cash contribution to our capital campaign,” Tomor explained.

“The Tampa Museum of Art strengthens arts and culture in our vibrant city, and opens the eyes of schoolchildren to the power of beauty and imagination. I am proud to make this historic gift to TMA in celebration of their centennial anniversary. My hope is that it will encourage others who have the means to give back to also join in and support the growth of the Museum’s world-class exhibits and programs,” said Dick Corbett.

Cornelia and Dick Corbett at the Tampa Museum of Art during Pavilion XXXIII in 2018.

“Dick and Cornie Corbett have been extraordinary patrons and supporters of the Tampa Museum of Art for decades,” according to Jerry Divers, chair of the Tampa Museum of Art Foundation and head of the Museum’s Centennial Capital Campaign. Divers added: “Our community is blessed by so many other significant gifts and legacy projects developed and funded by Dick Corbett. His contributions have been bold catalysts for effective, broad-based public and private projects with lasting benefits for commercial development in Florida as well as on policies affecting K-12 education, growth management, economic development, agriculture and commercial real estate.”

“Dick Corbett’s generous donation to the Museum’s Centennial Capital Campaign will allow us to move swiftly to complete the significant renovations already underway and to begin our transformative expansion project scheduled to break ground in the next eight to 10 months,” according to Dianne Jacob, President of the Tampa Museum of Art Board of Trustees.

About Richard A. Corbett

Dick Corbett has developed, financed, and constructed more than $1 billion in complex real estate ventures as chief executive officer and president of Concorde Companies, a Tampa-based real estate investment firm. His most ambitious and acclaimed achievement was conceiving, developing, and attracting funding for Tampa International Plaza and Bay Street shopping center adjacent to the Tampa International Airport. Tampa International Plaza is a 3-million-square-foot mixed-use retail, office, and hotel development that attracts more than 20 million visitors annually. Since its opening in 2001, it has generated thousands of permanent jobs, hundreds of new commercial businesses, including hotels and restaurants, as well as commercial offices that have contributed hundreds of millions of dollars annually to the Tampa Bay regional economy.

Together with his wife, Cornelia, the Corbetts have financially supported the Independent Day School for more than 40 years and served as Board of Trustee volunteer leaders. In 2012, the school was named the Corbett Preparatory School in appreciation of the work the Corbetts have done for the school.

In 2013, the Crisis Center of Tampa Bay dedicated the Corbett Trauma Center in honor of Cornelia. The facility expanded mental health counseling in eastern Hillsborough County by providing counseling services, group therapy, and other mental health support for children and families.

The same year, Dick and Cornelia Corbett were inducted as a couple into the Florida Council of Economic Education Hall of Fame, recognizing their impact on the community through business and civic achievements and how they serve as lifelong examples of integrity and high ideals.

In 2015, Dick Corbett made two high-profile gifts totaling $35 million to his alma mater, the University of Notre Dame. The pledge included $25 million to underwrite the construction of the Corbett Family Hall, a 280,000-square-foot academic building, and a $10 million endowment for the Notre Dame head football coaching position at the university.

Dick Corbett was appointed to consecutive terms on the Florida Fish & Wildlife Commission by Governors Jeb Bush and Rick Scott, including acting as Chairman of the FWC for several years. During that period, Corbett helped develop the Florida Youth Conservation Centers Network, jointly sponsored by the FWC and the Wildlife Foundation to help reconnect children with traditional outdoor activities. He continues to serve as chair emeritus of the Fish & Wildlife Foundation of Florida.

In his revealing biography, “Ringside Stories,” Dick Corbett tells the fascinating story of his hard-knock youth from a fractured home in Rochester, NY, who overcame setbacks large and small to forge his long and remarkable career as a real estate guru.

“Life is precious – everyone gets exactly one,” Corbett is fond of saying, which helps explain how a combination of perseverance and strategic thinking pushed him to be the best that he could be, and fuels his family’s generosity toward their neighbors and community.

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Tampa Museum of Art rendering of Centennial Renovation and Expansion. Image courtesy of Weiss/Manfredi.
Tampa Museum of Art rendering of Centennial Renovation and Expansion. Image courtesy of Weiss/Manfredi.

Learn more about the Tampa Museum of Art’s $100 Million Centennial Campaign for Expansion and Renovation.

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