Category: Past Exhibitions

On view February 25, 2023 through February 11, 2024

On view February 23, 2023 through June 4, 2023

Salman Toor: No Ordinary Love features more than 45 paintings and works on paper made between 2019 and 2022, that weave together motifs found in historical paintings with recognizable 21st-century moments to create new worlds based in Toor’s imagination. The exhibition captures the ways in which Toor engages with art history to center brown, queer figures and to challenge enshrined notions of power and sexuality.  

Toor (Pakistani, b. 1983) lives and works in New York City, but grew up in Lahore, his birthplace in Pakistan. Shaped by these viewpoints, Toor’s artistic practice explores his hopes and anxieties about the queer experience in both his ancestral and adopted countries. Throughout his work, Toor blurs sensual pleasure with satire and mines his deep knowledge of the European, American, and South Asian painterly tradition. 

About Salman Toor

Salman Toor (born in Lahore, Pakistan, in 1983) currently lives and works in New York. His first institutional solo exhibition, Salman Toor: How Will I Know, was recently presented at the Whitney Museum of American Art, New York, NY (2020-2021). Toor’s work has been featured in numerous group exhibitions and projects, including Living Histories: Queer Views and Old Masters at Frick Madison, New York, NY, and others held at the RISD Museum, Providence, RI; the Public Art Fund, New York, NY; Phi Foundation for Contemporary Art, Montréal, Canada; Museum of Contemporary Art Chicago, IL; Lahore Biennale 2018, Pakistan; and the 2016 Kochi-Muziris Biennale, India. Toor is the recipient of a Joan Mitchell Foundation Grant, and his work is in many public collections. Toor’s work will be presented in the forthcoming Lyon Biennial, and his first solo exhibition in China opened at M Woods in Beijing.

Learn more about the artist.

On view November 10, 2022 through August 27, 2023

Time for Change: Art and Social Unrest in the Jorge M. Pérez Collection looks at how artists explore conflicts and contradictions of contemporary society, as well as analyze historical events and reframes them within the present. An interest in the marginalized, the marginal and the margins (of society, of history) unites the works in the exhibition. Time for Change was first presented as the inaugural exhibition in December 2019 at El Espacio 23, a contemporary art space founded by collector and philanthropist Jorge M. Pérez. Featuring artists from across the globe, the exhibition highlights art—from painting and sculpture to video and works on paper—that address unrest through allegory, metaphor or veiled allusion.​ 

Time for Change: Art and Social Unrest in the Jorge M. Pérez Collection was curated by José Roca for El Espacio 23.

Exhibition Sponsor: Gobioff Foundation

Press

• Tampa Bay Arts Education Network “Art Perspectives” feature

On view January 28, 2023 through July 16, 2023

Supporting Sponsor

Selections from Alfred Frankel’s Artists of Old Florida, 1840-1960

Collector Dr. Alfred Frankel has studied and collected the paintings of early Florida artists for the past 40 years. After meeting Michael Turbeville in the 1980s, an antiques dealer based in Tampa, he started to collect relatively unknown artists capturing Florida’s untamed landscape. To date, Dr. Frankel has acquired nearly 500 works of art. His holdings not only depict Florida’s raw beauty, but the collection reveals how local artists from Miami, Tampa, Orlando and Gainesville, were influential in developing art communities across the state in the early 20th century. Poetry in Paint: The Artists of Old Tampa Bay explores artists essential to the founding of the Tampa Bay area’s creative circles and features painters such as Harry Bierce, Theodore Coe, and Belle Weeden McNeer. Dr. Frankel has extensively researched the artists in his vast collection, which has resulted in the self-publication of the books Artists of Old Florida, 1840-1960 and The Dictionary of Florida Artists.

Contributor Sponsor:

On View July 21, 2022 through October 23, 2022

Presenting Sponsor

Artworks

Exhibition Catalogue

Accompanying the exhibition is an illustrated catalogue published with DelMonico Books and distributed by D.A.P. (Distributed Art Publishers, Inc.) which documents Bey and Weems’ photographs and includes scholarly essays by GRAM Chief Curator Ron Platt and National Museum of African American History & Culture Deputy Director, Kinshasa Holman Conwill, along with written reflections by both artists.

On view June 30, 2022 through July 30, 2023

Over the past five years the Tampa Museum of Art has received a record number of gifts to the permanent collection. The exhibition, All in Favor: New Works in the Permanent Collection, highlights the many recent works that have entered TMA’s holdings, ranging from ancient glass and bronze objects to contemporary paintings and sculptures from today’s leading artists. Artists on view include the collective assume vivid astro focus (AVAF), Christo, Jane Corrigan, Mitchell Johnson, Suchitra Mattai, Simphiwe Ndzube, Roger Palmer, Daisy Patton, Jaume Plensa, Claudia Ryan, John Scott, and others.

Collections may be described as the heart of any museum. At their best, collections should inspire museum staff and influence exhibition and education programming. More importantly, collections should reflect the community at large and create a lasting impression on visitors. It is common for museum objects to become like old friends, with visitors returning again and again to see their favorite work or artist on view. Acquisitions, or works collected by a museum, can define a museum and tell its story. These objects not only reflect the institution’s evolving vision and mission over time but also highlight socio-political events and ideologies, creative choices and nuances in artistic technique, as well as technological advances that define specific periods and genres of art. 

The Tampa Museum of Art’s collection focuses on two main areas: ancient art, and modern and contemporary art. Throughout its storied history, TMA has prided itself on its growing collections. In 1986, the Museum acquired its first major collection of ancient art from the Joseph Veach Noble Collection, which continues to anchor the Museum’s Greek and Roman antiquities. The modern and contemporary art collection includes works in five major groups—painting, sculpture, prints, photography, and new media/installation art. In total, the Museum has acquired nearly 7,500 objects. 

Collecting institutions such as the Tampa Museum of Art maintain strict standards of acquisition policies. While each museum’s procedures may be slightly different, the goal is to adhere to high levels of research with acute attention paid to an object’s history, its relevance to other works in the collection, as well as its needs for long-term care and conservation. Like many museums, TMA works with a Collections Committee, a dedicated group of Board and community members who review artworks recommended by curatorial staff. Each object is carefully discussed and voted on, with each assessment concluding (hopefully) with the resounding vote of approval, “All in favor, say aye.” 

All in Favor: New Works in the Permanent Collection presents a select group of objects and artworks recently acquired by the Tampa Museum of Art. Over the past five years, the Museum has accepted more than 200 works of art, the majority of which have been generously gifted by the Tampa Bay area community. All in Favor looks at a mere sample of the many works that have entered the collection, with a special focus on new contemporary paintings and sculptures, as well as ancient glass and bronze pitchers. The exhibition not only celebrates the growth of TMA’s collection but the heart of its priorities—sharing our holdings with the community and fostering a new generation of collection favorites.

All in Favor is one of several new exhibitions dedicated to the Museum’s permanent collection that will be on view for long-term displays over the next five years.

This exhibition is supported in part by:

On view November 11, 2021 through January 15, 2023

In 1998, Dr. Farid Karam and his wife Jehanne generously donated 149 objects to the Special Collections of the University of South Florida (USF) Libraries. The authentic antiquities originate from ancient Syria, Phoenicia, Egypt, Greece and the Arab world. In date, they range from the Bronze Age to the early Islamic period (ca. fifteenth-century BCE – thirteenth-century CE). The metal, stone, glass and ceramic artifacts include cosmetic and medical implements, utility vessels and oil lamps, as well as sculptures and figurines. This presentation of 58 highlights is the first time the Karam Collection of Lebanese Antiquities is on display for the general public. The selection reveals Dr. Karam’s profound interest in the diversity of ancient cultures found in the Eastern Mediterranean. 

Learn more about the Karam Collection at the USF Libraries.

About Farid Karam, M.D. 

Farid Karam (1929–2018) was born in a Greek Orthodox village in northern Lebanon. After specializing in plastic surgery in Cleveland, Ohio (1961), he taught medicine at the American University of Beirut Hospital until 1976. Due to the outbreak of the Lebanese Civil War (1975–1990) he moved to Bay Pines, Florida. In 1992, Dr. Karam was appointed Associate Professor of Plastic Surgery at the University of South Florida College of Medicine in Tampa, Florida. Before returning to Lebanon, where he continued to practice otolaryngology and facial plastic surgery, Dr. Karam donated his antiquities collection to USF. Since 1977, Dr. Karam was a member of the World Scout Foundation headed by King Carl Gustav of Sweden and received the highest medal for life achievements, the Bronze Wolf Medal. Dr. Karam passed away on March 1, 2018, in his hometown in northern Lebanon. 

The Ancient Levant 

The Eastern Mediterranean seaboard, also known as the Levant, which is the region of present-day Syria, Lebanon and Israel, has been inhabited since prehistoric times. Some of the oldest cities in world history were founded there. From the Bronze Age, peoples called Canaanites, Phoenicians or Philistines populated the region. The Israelites appeared in the Iron Age. They all spoke Semitic languages. Phoenicians based their wealth on trade – especially purple dye and wine as well as cedar wood and glass. They also contributed their alphabet to the development of ancient civilizations across the Mediterranean. During the early first millennium BCE, Phoenician trade colonies were established across the southwestern Mediterranean, most notably the city of Carthage. The Eastern Mediterranean coast meanwhile came under the successive spheres of influence from Egypt, Assyria, Babylonia and Persia. The Seleucids and Ptolemies, dynasties ruling from Babylon and Egypt respectively, competed for power over the region during much of the Hellenistic period (ca. 323–30 BCE). In 64 BCE, Roman rule was established and for the following four centuries, Syria became one of the richest eastern provinces of the Roman Empire. In the Mediaeval period, the region first came under the influence of the Christian Byzantine empire and then the Muslim Arab world. 

On view through September 5, 2021

The Tampa Museum of Art’s holdings in photography represents the largest collecting areas of the permanent collection. The collection now comprises more than 950 photographs and illustrates a range of processing techniques and approaches to the medium. Her World in Focus: Women Photographers from the Permanent Collection highlights important women photographers in the Museum’s collection. From the candid street photography of Dianora Niccolini to Jan Groover’s influential still life photographs, and Cindy Sherman’s iconic portraiture, the exhibition highlights key genres of post-war photography. Personal identity and reflections on place appear in the works by artists such as Maria Martinez-Cañas. The exhibition will also include the work of Berenice Abbott, Barbara Ess, Maria Friberg, Penelope Umbrico, and others.