Taking Shape: Abstraction from the Arab World, 1950s–1980s explores mid-20th-century abstract art from North Africa, West Asia, and the Arab diaspora—a vast geographic expanse that encompasses diverse cultural, ethnic, linguistic, and religious backgrounds. Comprising nearly 80 works by artists from countries including Algeria, Egypt, Iraq, Jordan, Kuwait, Lebanon, Morocco, Palestine, Qatar, Sudan, Syria, Tunisia, and the United Arab Emirates (UAE), the exhibition is drawn from the collection of the Barjeel Art Foundation based in Sharjah, UAE. Inspired by Arabia calligraphy, geometry and mathematics, Islamic decorative patterns, and spiritual practices, they expanded abstraction’s vocabulary—thus complicating its genealogies or origin and altering how we view non-objective art. The paintings, sculpture, drawings, and prints on view reflect the wide range of nonfigurative art practices that flourished in the Arab world over the course of four decades.
Taking Shape: Abstraction from the Arab World, 1950s–1980s is organized by Grey Art Gallery, NYU
Sponsored in part by George & Debbie Baxter in honor of Dr. Mudhafar Amin and Zahar Hadid.