• Patricia Cronin, Aphrodite, and the Lure of Antiquity: Conversations with the Collection

    On view August 16, 2018 through January 6, 2019

    Patricia Cronin, Aphrodite, and the Lure of Antiquity: Conversations with the Collection is the inaugural exhibition in a biennial series exploring synergy between collections that may initially strike visitors as wholly separate from one another – namely, classical antiquities and modern and contemporary art. Patricia Cronin (American, b. 1963) is an internationally recognized Brooklyn-based artist uniquely positioned for such a visual conversation. Winner of a Rome Prize in Visual Art in 2006-2007, and past Trustee of the American Academy in Rome, Cronin is deeply interested in the ancient world, which she frequently references in her work. For the first commission in our biennial series, Cronin has created a large outdoor sculpture of Aphrodite inspired by a fragmentary 1st-century AD marble torso of Aphrodite in the Museum’s collection. Entitled Aphrodite Reimagined, Cronin’s sculpture re-envisions the Museum’s Aphrodite fragment as a monumental “complete” sculpture with a stone torso and translucent head, arms, and legs. The sculpture invites viewers to reconsider the narrative of an ancient work heavily restored after its rediscovery, and acts as a metaphor for shifting certainties about human history. Cronin and Museum curators will also pair an Etruscan cinerary urn from the Museum’s collection with multiple iterations of Cronin’s 2002 sculpture Memorial to a Marriage, a powerful artwork that references ancient and neoclassical funerary monuments as well as contemporary issues of social justice. The final gallery of the exhibition will comprise a visual dialogue between figural works by Cronin and several antiquities from the Museum’s permanent collection.

    This exhibition is made possible by

  • Yayoi Kusama: LOVE IS CALLING

    On view September 28, 2018 through February 14, 2019

     

    The Tampa Museum of Art is pleased to present Yayoi Kusama’s LOVE IS CALLING, one of the artist’s iconic Infinity Rooms, on loan from the Vinik Family Foundation Collection. An immersive, experiential work of art, LOVE IS CALLING invites visitors to enter a mirrored room with tentacle-like soft sculptures hanging from the ceiling and positioned on the floor. These forms glow with changing colors and feature Kusama’s signature polka dots. Mirrored walls create a kaleidoscopic effect, with the reflected imagery of the tentacles seemingly extending into infinite space. Visitors hear audio of the artist reciting a love poem in Japanese as they walk throughout the installation.

    Yayoi Kusama (Japanese, b. 1929) is one of today’s most recognized and celebrated artists. In addition to her widely popular Infinity Rooms, such as LOVE IS CALLING, Kusama creates vibrant paintings, works on paper, and sculpture with abstract imagery. Her artwork has been shown and collected by leading institutions across the globe and she is considered “the world’s most popular artist.” A comprehensive retrospective, organized by the Hirshhorn Museum and Sculpture Garden in Washington, DC, is currently travelling around the US and Canada. In October 2017, the Yayoi Kusama Museum opened in Tokyo. The artist lives and works in Tokyo.

    This exhibition is made possible by

  • Robert Indiana: A Sculpture Retrospective

    On view October 25, 2018 through March 17, 2019

    This exhibition is organized by the Albright-Knox Art Gallery, Buffalo, NY.

    On the occasion of the American artist Robert Indiana’s ninetieth birthday and in recognition of his broad and enduring achievement in sculptural media, the Albright-Knox Art Gallery will mount Robert Indiana: A Sculpture Retrospective in Summer 2018. The exhibition will then travel to Tampa, the only other venue.

    Having gained international prominence in the early 1960s, Indiana (born Robert Clark in 1928) has created some of the world’s most immediately recognizable works of art. Filled with intensely personal combinations of universal symbols—words and numbers, stars and wheels—his sculptures, paintings, drawings, and prints are most readily associated with the Pop art movement. Indiana’s work in sculpture offers a unique opportunity to consider the multiple paradoxes inherent in his practice of creating objects of significance and permanence from everyday impressions and materials.

    Many of Indiana’s sculpture have never been publicly exhibited in the United States, and some of the most extraordinary examples of his career-defining LOVE sculpture, one of the twentieth century’s most iconic works of art, have never been shown anywhere. Robert Indiana: A Sculpture Retrospective offers a thorough reassessment of the artist’s work in sculpture, from his earliest assemblages of the late 1950s to his most recent series of remarkable painted bronzes.

    This exhibition is made possible by