Echoing Forms: American Abstraction from the Permanent Collection - Tampa Museum of Art

On view through April 13, 2019 through August 18, 2019

As the Tampa Museum of Art nears its 100th anniversary, exhibitions in 2019 and 2020 will focus on the breadth of the institution’s permanent collection, as well as examine its collecting history. The Tampa Museum of Art’s holdings are unique, with distinct collections of Greek and Roman antiquities, as well as modern and contemporary art.

Echoing Forms: American Abstraction from the Permanent Collection presents paintings, works on paper, and photography by major artists associated with post-war American abstraction. Abstract Expressionism emerged as the dominant genre of painting in the mid-1940s. For the next 40 years, artists working across media would examine and redefine the boundaries of abstraction. From Robert Motherwell’s serial compositions of repeating ovoid and geometric forms, to the patterned brushwork of Alma Thomas, and Aaron Siskind’s photographic studies of found objects echoing gestural paint strokes, the Tampa Museum of Art’s collection includes work from influential artists associated with the rise of American abstraction.

Artists featured in Echoing Forms also include Joseph Albers, Helen Frankenthaler, Adolph Gottlieb, Ellsworth Kelly, Elaine de Kooning, Kenneth Noland, Frank Stella, and others. Echoing Forms: Abstraction from the Permanent Collection is a companion show to the special exhibition Abstract Expressionism: A Social Revolution.

Martha's Vineyard 2, 1952

Aaron Siskind (American, 1903-1991), Gelatin silver print. 5 3/8 x 8 ¼ inches. Tampa Museum of Art, Museum purchase, 1990.007. Saunders Gallery.