Graphicstudio: Uncommon Practice at USF

 

On View February 1 – May 18, 2014

Graphicstudio, a renowned print workshop located on the campus of the University of South Florida in our hometown, has hosted some of the most important artists of the 20th century, creating technical and conceptual breakthroughs in the world of contemporary art. In the most significant and far-reaching collaboration between the Museum and the University of South Florida, over 100 works by 45 artists will fill the Museum walls and highlight the important connection between Tampa and the international arts world. Graphicstudio: Uncommon Practice at USF is the most ambitious and comprehensive show to feature works from the workshop since the survey exhibition of the early years of Graphicstudio at the National Gallery of Art in Washington D.C. in 1991.

Graphicstudio: Uncommon Practice at USF chronicles several aesthetic and technical conversations among artists of different generations. Highlighting both technical and conceptual breakthroughs, the exhibition includes seminal works spanning Graphicstudio’s forty-six year history (by Robert Rauschenberg, Jim Rosenquist, Ed Ruscha, Allan McCollum, Louise Bourgeois, Jim Dine, and others) with some of its most recent collaborative endeavors (by Christian Marclay, Mark Dion, Teresita Fernández, Los Carpinteros, and Trenton Doyle Hancock).

A catalogue to commemorate the exhibition and the partnership will be published by D. Giles, Ltd of London, England and will be available for purchase in the Guilders and Florida Communications Group Museum store.

Graphicstudio: Uncommon Practice at USF is curated by Jade Dellinger and co-organized by USF Contemporary Art Museum and the Tampa Museum of Art. The project is supported in part by an award from the National Endowment for the Arts.

Graphicstudio is presented with additional support from:
Stanton Storer Embrace the Arts Foundation
Tready and Thayer Smith
CFJB-Logo_MASTER_CMYK
ARTE Tampa Bay

Media Sponsor:

CL RGB

 

Image credits:

Vik Muniz, Vik, 2003. Lithograph and screenprint, 50 × 40 1⁄4 in. Published by Graphicstudio, University of South Florida Collection. © 2003 Vik Muniz, Graphicstudio, USF; photo by Will Lytch, courtesy of the Institute for Research in Art/ Graphicstudio, University of South Florida.

Christian Marclay, Allover (Rush, Barbra Streisand, Tina Turner, and Others), 2008. Cyanotype, 511⁄2 × 100 in. Published by Graphicstudio, University of South Florida Collection. © 2008 Christian Marclay, Graphicstudio, USF; photo by Will Lytch, courtesy of the Institute for Research in Art/ Graphicstudio, University of South Florida.

Chuck Close, Self-Portrait/Photogravure, 2005. Photogravure, 54 1⁄4 × 40 5⁄8 in. Published by Graphicstudio, University of South Florida Collection. © 2005 Chuck Close, Graphicstudio, USF; photo by Will Lytch, courtesy of the Institute for Research in Art/ Graphicstudio, University of South Florida.

Keith Edmier, Fireweed, 2002–03. Vinyl over steel armature with attached vacuum-formed plastic leaves, cast urethane buds, cast dental acrylic petals, vinyl monofilament stamens and pistils; painted with lacquer and acrylic paint; dusted with volcanic ash from Mount St. Helens, WA, 1980, 72 × 15 in. each. Published by Graphicstudio, Collection of Stanton Storer, Tampa, FL. © 2002–03 Keith Edmier, Graphicstudio, USF; photo by Will Lytch, courtesy of the Institute for Research in Art/ Graphicstudio, University of South Florida.